samedi 20 juin 2026

Aurra & Deja Collection


 Aurra was an American 1980s soul group, which, at the time of its biggest success on Salsoul Records, featured Curt Jones (guitar/vocals) and Starleana Young (vocals) and included Steve Washington (bass/guitar/drums), Philip Field (keyboards/synthesizers/vocals) and Tom Lockett (saxophone/percussion).

 

Aurra started off in 1979 as an offshoot of the funk band Slave.[2] Steve Washington[3] first conceptualized the project, which also initially featured fellow former Slave members Curt Jones, Starleana Young, and Thomas Lockett.[2][4] By the time they recorded their first LP, the lineup also included Charles Carter and Buddy Hankerson. Aurra initially signed with Dream Records, and then Salsoul Records. Composer/keyboardist Philip Field, known for his work as a member of Mtume, subsequently joined the lineup.

During the early 1980s, the group found success with hits such as "Are You Single" (number 16 on the US Billboard Hot R&B/Hip-Hop Songs chart), "Checkin' You Out", and "Make Up Your Mind", the last of which became the group's biggest US hit under the Aurra moniker - reaching number six on the R&B chart and number 71 on the pop chart.[5] The group continued to release albums up through the 1985 release Like I Like It; this album was released as Bedtime Story in the U.S. that same year. A revamped version of Like I Like It, featuring an updated cover, was released in Europe in 1986 to include the new single, "You and Me Tonight", along with remixed versions of other tracks from the original album. "You and Me Tonight" reached number 12 on the UK singles chart that year.[6]

By the time Like I Like It was re-released, several group members were at odds with Steve Washington. Legal issues with Washington over the name Aurra led to the duo of principal members Jones and Young breaking away and beginning to record under the name Déjà.[1] In 1987, they released their Virgin Records debut as Déjà, Serious, which was produced in large part by the Time member Monte Moir. Featured on this album was "You and Me Tonight", from the group's Aurra days, introducing American audiences to the song for the first time. "You and Me Tonight" charted in the upper reaches of the US Billboard R&B chart (peaking at number two) and crossed over onto the pop charts, where it peaked at number 54,[7] making it the highest-charting single from any Aurra-associated group. Meanwhile, Starleana Young decided to leave to pursue a solo career and was replaced by Mysti Day in time to record Déjà's follow-up album.[8] The resulting album, Made to Be Together was released in 1989, with the Teddy Riley-produced title track becoming a minor R&B hit.[9]

In 2013, Family Groove Records recovered the lost tapes for the unreleased 'fifth' Aurra album Satisfaction, originally recorded in 1984. The direction of the album was supervised by Steve Washington, Amuka Kelly (also known as Sheila Horne Washington), and Daniel Borine. In 2015 Family Groove Records released the Body Rock album.[10]

In 2019, Aurra's second album as Déjà, the long out of print Made to Be Together was released to digital and streaming platforms.[11][12][13]

On February 1, 2026, it was announced that Steve Washington has died. He was 67

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Joe Bataan - Deluxe Collection


 Bataan Nitollano, also known as Joe Bataan (born 5 November 1942),[1][2] is a Filipino-American Latin soul singer, songwriter and musician best known world-wide and in the Hispanic and Latino music scene as the "King of Latin Soul".

 

In 1966, he formed his first band, Joe Bataan and the Latin Swingers. Bataan's music was influenced by two musical styles: the Latin boogaloo and African American doo-wop. Though Bataan was neither the first nor only artist to combine doo-wop-style singing with Latin rhythms, his talent for it drew the attention of Fania Records. After signing a record contract with them in 1966, Bataan released Gypsy Woman in 1967. (The title track is a Latin dance cover of "Gypsy Woman" by the Impressions). He would, in full, release eight original titles for Fania which included the gold-selling Riot!. These albums often mixed energetic Latin dance songs, sung in Spanish, with slower, English-language soul ballads sung by Bataan himself. As a vocalist, Bataan's fame in the Latin music scene at the time was only rivaled by Ralfi Pagan.[6]

Disagreements over money with Fania Records head Jerry Masucci led Bataan to eventually leave the label. While still signed to Fania however, Bataan secretly started Ghetto Records, a Latin music label which got its initial funding from a local gangster, George Febo. Bataan produced several albums for other artists, including Papo Felix, Paul Ortiz and Orquesta Son and Eddie Lebron.

In 1973, he helped coin the phrase "salsoul", lending its name to his first post-Fania album. He recorded three albums for the Salsoul of Cayre brothers, (Kenneth, Stanley, and Joseph)[7] and several singles, including "Rap-O Clap-O" from 1979 which became an early hip hop hit. After his 1981 album, Bataan II, he retired from music-making to spend more time with his family and ended up working as a youth counselor in one of the reformatories he himself had spent time in as a teenager.

In 2005, Bataan teamed up with producer Daniel Collás to break his long hiatus with the release of Call My Name, a well-received album recorded in New York for Spain's Vampi Soul label.

In early 2009, Bataan was featured in the Kenzo Digital-produced "beat cinematic" City of God's Son. Bataan was featured as the narrator of the story, playing the part of an older Nas reflecting upon his youth in the street with cohorts Jay-Z, Ghostface Killah, Biggie and Raekwon. 

 

In 2014, he met Osman Jr, from French group Setenta which, in collaboration with promoter Benjamin Levy, leads him to play for the first time in Paris in June 2015 at Le théatre des Etoiles, followed by a historic live at the Jazz Mix de Vienne in France. In September 2015, Bataan sang "My Rainbow", a soulful bolero composed by the French band. This title was released in 2016 on the album Paris to Nueva York released by Latin Big Note. With Setenta as this backing band, Bataan travels and plays on famous scenes as Selma in Stockholm (Sweden), Ronnie Scott's (London), the FGO (Paris), the Summer Stage in New York and the Théatre de la Mer of Fiest'a Sète (France).

In 2016, Bataan (along with the Barrio Boys) performed at the FANHS National Conference in New York- where 500 conference attendees danced to his music while cruising the Hudson River on the Hornblower 'Infinity'.[9]

In 2017, Bataan appeared in the Puerto Rican-American film "Shine", and he collaborated with Spanglish Fly,[10] the boogaloo revival group based in New York City, to record New York Rules, written by Manuel Garcia-Orozco and Jonathan Goldman, released on the band's Ay Que Boogaloo! album by record label Chaco World Music.[11] Singing lead vocals, Bataan includes references to his famous songs "Subway Joe" and "Rap-O Clap-O." The Huffington Post calls this recording "charming, spellbinding and irresistible."[12] A remix of the song is included on the soundtrack to She's Gotta Have It (2019), written and directed by Spike Lee

 

The Temptations - Awesome (The Albums Collection 1964-2022) 44 Albums + Bonus Tracks (2022)


 

Shalamar - Soul Train & Solar Years (11 CD + Bonus Tracks) 2022


 

David Ruffin - Deluxe Collection


David Eli Ruffin (born Davis Eli Ruffin;[1] January 18, 1941 – June 1, 1991) was an American soul singer most famous for his work as one of the lead singers of the Temptations (1964–1968) during the group's "Classic Five" period as it was later known. Ruffin was the lead voice on such famous songs as "My Girl" and "Ain't Too Proud to Beg". He later scored two top 10 singles as a solo artist, "My Whole World Ended (The Moment You Left Me)" and "Walk Away from Love".

Known for his unique raspy and anguished tenor vocals, Ruffin was ranked as one of the 100 Greatest Singers of All Time by Rolling Stone magazine in 2008[2] and again in 2023.[3] He was inducted into the Rock and Roll Hall of Fame in 1989 for his work with the Temptations.[4] Fellow Motown recording artist Marvin Gaye once said admiringly of Ruffin that, "I heard [in his voice] a strength my own voice lacked.

 

After moving to Detroit with the Bushes, Ruffin recorded his first released record with the songs "You and I" (1958) b/w "Believe Me" (1958). These songs were recorded at Vega Records and released under the name "Little David Bush", using the last name of his guardian. Ruffin would later recall how he initially recorded "a different kind of music", strongly influenced by the smoother pop and R&B of the time, when he first recorded in Detroit for Vega.[10]

In 1957, Ruffin met Berry Gordy Jr., then a songwriter with ambitions of running his own label.[6] Ruffin lived with Gordy's father, a contractor, and helped "Pops" Gordy do construction work on the building that would become Hitsville USA, the headquarters for Gordy's Tamla Records (later Motown Records) label.[6][10] Jimmy Ruffin would eventually be signed to Tamla's Miracle Records label as an artist.

Ruffin also worked alongside another ambitious singer, Marvin Gaye, as an apprentice at Anna Records, a Chess-distributed label run by Gordy's sister Gwen Gordy Fuqua and his songwriting partner Billy Davis.[6][10]

Asked about Ruffin in the Detroit Free Press in 1988, Gordy Fuqua said: "He was very much a gentleman, yes ma'am and no ma'am, but the thing that really impressed me about David was that he was one of the only artists I've seen who rehearsed like he was on stage".[7] According to Ruffin, both he and Gaye would pack records for Anna Records.[citation needed]

Ruffin created music as both the vocalist and drummer in the Voice Masters, a doo-wop style combo[11] and eventually started recording at Anna Records, where he recorded the song "I'm in Love" b/w "One of These Days" (1961), with the Voice Masters, a group which included future Motown producer, Lamont Dozier. Other group members included members of The Originals: Ty Hunter, CP Spencer, Hank Dixon and (Voice Masters and The Originals founder) Walter Gaines. (At one time, The Voice Masters also included another future Temptations member, Melvin Franklin, one of numerous people David would claim as a cousin).[6] Ruffin did sign to Anna Records as a solo artist, but his work in that time was unsuccessful.[11]

Ruffin eventually met an up-and-coming local group by the name of the Temptations. His older brother, Jimmy, went on a Motortown Revue tour with the Temptations, and he told David that they needed someone to sing tenor in their group. Ruffin shared his interest in joining the group with Otis Williams, who also lived in Detroit.

In January 1964, Ruffin became a member of the Temptations after founding member Elbridge "Al" Bryant was fired from the group. Ruffin's first recording session with the group was January 9, 1964. Ruffin and his brother both auditioned to join the group, but they ultimately chose David after he performed with them on stage during the label's New Year's Eve party in 1963.

 

After joining the Temptations, the bespectacled Ruffin initially sang backgrounds while the role of lead singer mostly alternated between Eddie Kendricks and Paul Williams. Ruffin did sing a few lead parts, both on stage and in the studio, during his first year with the group, but his leads on these studio tracks would not be released for over a year, as they were not considered good enough to showcase his vocals. However, Smokey Robinson, who produced and co-wrote most of the Temptations' material at this point, saw Ruffin during this period as a "sleeping giant" in the group with a unique voice that was "mellow" yet "gruff".[13] Robinson thought that if he could write just the 'perfect song' for Ruffin's voice, then he could have a smash hit.[13] The song was to be something that Ruffin could "belt out" yet something that was also "melodic and sweet".[13] When Robinson achieved his goal, the song, "My Girl", was recorded in November 1964 and released a month later. It became the group's first number-one single in 1965. "My Girl" subsequently became the Temptations' signature song, and elevated Ruffin to the role of lead singer and frontman.

The follow-ups to "My Girl" were also extremely successful singles, and included the Ruffin-led hits "It's Growing" (1965), "Since I Lost My Baby" (1965), "My Baby" (1965), "Ain't Too Proud to Beg" (1966), "Beauty Is Only Skin Deep" (1966), "(I Know) I'm Losing You" (1966), "All I Need" (1967), "(Loneliness Made Me Realize) It's You That I Need" (1967), "I Wish It Would Rain" (1967), and "I Could Never Love Another (After Loving You)" (1968). Ruffin also shared lead vocals on the 1967 hit single "You're My Everything" with Eddie Kendricks. Standing at 6 feet 3 inches (1.91 m), Ruffin's passionate and dramatic performances endeared him to the Temptations' audiences and fans. According to Otis Williams, Ruffin (playfully nicknamed "Ruff" by the group) was a natural comedian and a hard-working singer when he first joined the group.

Ruffin's most notable non-vocal contribution to the Temptations was the masterminding of their trademark four-headed microphone stand.[14] This enabled the other members to sing and do their dances without having to crowd around one microphone while the lead singer would sing into a separate microphone.

However, by 1967, difficulties with Ruffin became an issue for the group. He became addicted to cocaine and began missing rehearsals and performances.[15] Refusing to travel with the other Temptations, Ruffin and his then-girlfriend, Tammi Terrell, traveled in a custom limo (with the image of his trademark black rimmed glasses painted on the door).[16] After the Supremes had their name changed to Diana Ross & the Supremes in early 1967, Ruffin felt that he should become the focal point of the Temptations, just as Diana Ross was for her group, and began demanding that the group name be changed to David Ruffin & the Temptations.[15] This led to a number of disagreements between Ruffin and the group's de facto leader, Otis Williams.[15]

In addition to the group's problems with Ruffin's ego, he began inquiring into the Temptations' financial records, demanding an accounting of the group's money.[17] This caused friction between Ruffin and Gordy.[17][18]

In June 1968, the Temptations agreed that Ruffin had finally crossed the line when he missed a June 22 Cleveland, Ohio, date with the Temptations in order to attend a performance by his new girlfriend, Barbara Gail Martin (Dean Martin's daughter).[19] Ruffin was fired five days later and was replaced with Dennis Edwards, a former member of the Contours, who had been a friend of Ruffin and the group as a whole beforehand.[19] Though Ruffin himself personally encouraged Edwards to take his place, Ruffin began turning up unannounced at Temptations concerts during Edwards' first few dates with the group.[19] When the group started to perform a Ruffin-era song such as "My Girl" or "Ain't Too Proud to Beg", Ruffin would suddenly walk on to the stage, take the microphone from Edwards' hands, and steal the show, embarrassing the group but entertaining the fans.[19] According to Edwards, the adulation and Ruffin's pleas convinced the other four Temptations to give Ruffin a second chance, but when he arrived late to what was to be his return show with the group in Gaithersburg, Maryland, the Temptations decided to keep Edwards and drop considerations of rehiring Ruffin.[20][21] However, Otis Williams has always maintained that Ruffin's firing was permanent, and he was never considered for rehiring.[citation needed]

In October 1968, Ruffin filed suit against Motown Records, seeking a release from the label and an accounting of his money.[17] Motown counter-sued to keep the singer from leaving the label and eventually the case was settled.[17] The settlement required Ruffin to remain with Motown to finish out his initial contract (Ruffin joined Motown as a solo artist and always had a separate contract from the other Temptations, which some felt caused a lot of the in-fighting within the group)

 

Ruffin's first solo single was a song originally intended for the Temptations, "My Whole World Ended (The Moment You Left Me)". The single (from the album also titled My Whole World Ended) was released in 1969 and reached the US Pop and R&B Top Ten. This was followed by the 1969 album Feelin' Good. A third album, titled David, was recorded in 1970–71, but was shelved by Motown and did not see commercial release until 2004.[22]

In 1970, Ruffin recorded an album with his brother Jimmy, I Am My Brother's Keeper, for which they had minor hits with "When My Love Hand (Comes Tumbling Down)" and "Your Love Was Worth Waiting For". Ruffin's next official release for Motown did not arrive until 1973 when David Ruffin was released. While his solo career initially showed promise, Ruffin quickly declined as a performer due to his cocaine addiction, and Motown only giving him the bare minimum of support when it became clear that he was not nearly as popular without the Temptations behind him.

Ruffin's final top ten hit was "Walk Away from Love" in 1975, produced by Van McCoy, which reached number nine on the Pop Charts. It was also Ruffin's only entry into the UK Charts (as a solo artist), and was a hit there as well, making it into the Top Ten (peaking at number 10) in early 1976. The single sold over one million copies and was awarded a gold disc by the R.I.A.A. in February 1976.[23]

Other notable recordings from Ruffin's solo career include "I Lost Everything I've Ever Loved" (1969); the gospel-inflected "I'm So Glad I Fell For You" (1970); "Blood Donors Needed (Give All You Can)" (1973); "Common Man" (1973) (which was sampled on the 2001 Jay-Z song "Never Change"); "No Matter Where" (1974); "Who I Am" (1975); "Statue of a Fool" (1975); and cover versions of the Jackson Five's "I Want You Back", "Rainy Night in Georgia" (popularized by Brook Benton)—both recorded for the shelved 1970 album; and Harold Melvin and the Blue Notes' "I Miss You" (1973), featuring Eddie Kendricks (later Kendrick). 

 After leaving Motown in 1977, Ruffin recorded for Warner Bros. Records, releasing the albums So Soon We Change (1979) and Gentleman Ruffin (1980). He then signed with RCA Records and formed a duo with fellow Temptation Eddie Kendricks, who had recently departed from the group under his own set of difficulties, including the weakening power of his voice after years of chain-smoking. 

 

In 1982, Ruffin and Eddie Kendricks re-joined the Temptations for the recording of their album Reunion and a tour to promote the album, which included the R&B hit, "Standing on the Top", that the group recorded with Rick James. However, the reunion tour was short-lived since Ruffin repeatedly failed to show up for concerts while using cocaine, leading the group to be fined thousands of dollars. Otis Williams fired Ruffin from the group for the second and final time by Christmas 1982.[25]

Ruffin started touring with Kendricks (who dropped the "s" from his last name at this time) as a duo act in 1985 when he was also dismissed for his poor singing. That year, longtime Temptations fans Hall & Oates teamed up with Ruffin and Kendrick to perform at the re-opening of the Apollo Theater in New York. Their performance was released as a successful live album and single. The four singers also sang a medley of Temptations hits at Live Aid on July 13, 1985. In 1985, a live medley of "The Way You Do the Things You Do" and "My Girl" was released by Hall & Oates featuring Ruffin and Kendrick. It reached number 20 on the Billboard Hot 100, number 12 on the Adult Contemporary chart, and number 40 on the R&B chart.[26][27] The single earned Ruffin his first and only Grammy nomination.[28] John Oates later wrote a minor hit single for Ruffin and Kendrick, but the two duos fell out, allegedly due to Daryl Hall's objections to Ruffin's heavy drug use.

After being inducted into the Rock and Roll Hall of Fame with the Temptations in 1989,[4] Ruffin, Kendrick and Dennis Edwards began touring and recording as "Ruffin/Kendrick/Edwards: Former Leads of The Temptations". In 1991, they completed a successful month-long tour of England which grossed nearly $300,000.[29] At the time of his death, they were planning a European tour.[29] Ruffin's final recording in his lifetime was "Hurt the One You Love", which was released as a solo record for Motorcity Records

 

After completing a successful month-long tour of England with Kendricks and Edwards, Ruffin died on June 1, 1991, from an accidental overdose of crack cocaine; he was 50 years old.[49] Ruffin had reportedly collapsed at a West Philadelphia crack house, where he had gone with his friend Donald Brown, according to authorities.[29][38] Brown then drove Ruffin to the Hospital of the University of Pennsylvania, where he was declared dead at 3:55 a.m. that morning from "an adverse reaction to drugs (cocaine)" after emergency room personnel spent almost an hour attempting to revive him.[50][51] The Associated Press reported that Ruffin and a man named William Nowell split ten vials of crack cocaine inside of Nowell's West Philadelphia home hours before he died.[39] Although the cause of death was ruled an accident, Ruffin's family and friends suspected foul play, claiming that a money belt containing $40,000 was missing from his body.[29][50][52] However, Ruffin's girlfriend at the time, Diane Showers, was not surprised when she was informed of his death.[29] Showers stated: "When David had a lot of money, he would be able to do things that he wanted to do."[53]

In The Temptations television miniseries, Ruffin's beaten body is depicted as being dumped in the street in front of a hospital where he dies. It was also stated in the miniseries that Ruffin's body remained unclaimed in a morgue for a week after his death. As a result, Ruffin's estate filed suit against NBC and other major players involved in the making of the series, claiming defamation. According to the plaintiffs in the case, Ruffin was actually taken to the hospital by a limousine and was escorted to the waiting area by his driver, who informed the attendants of his identity. Ruffin's children further stated that his body was claimed by one of them within a few days of his death. Ruffin's estate lost the lawsuit, and the ruling against it was upheld on appeal.[54]

Ruffin's funeral was held at New Bethel Baptist Church in Detroit. Surviving members of the Temptations sang "My Girl". Stevie Wonder and Aretha Franklin also sang at the funeral.[55][56] Michael Jackson volunteered to pay for the funeral expenses, but did not attend the service.[57] Jackson, Rod Stewart, Daryl Hall and John Oates, Diana Ross, the Spinners, and Martha Reeves and the Vandellas sent floral arrangements.[56][58]

Ruffin is buried in section three at Woodlawn Cemetery in Detroit.


 

 

Tavares - Deluxe Collection


 Tavares (also known as The Tavares Brothers) is an American R&B and soul music group composed of five Cape Verdean-American brothers. Some were born in New Bedford, Massachusetts,[1] and Providence, Rhode Island, and they would move back and forth between the two cities throughout their childhood. They are best known for their hits "It Only Takes a Minute" in 1975, and "Heaven Must Be Missing an Angel" in 1976. 

 

The brothers, whose parents were of Cape Verdean descent, started performing in 1959 as Chubby and the Turnpikes when the youngest brother was nine years old.[3] P-Funk keyboardist/architect Bernie Worrell briefly joined the group in 1968, while attending the New England Conservatory of Music. Future Aerosmith drummer Joey Kramer appeared as the drummer with the group in a later incarnation called The Turnpikes from the fall of 1969 until September 1970, when he was invited to join Steven Tyler's band. He was later replaced with drummer Paul Klodner and bassist Steve Strout, which gave them a tight, punchy rhythm section. Chubby and The Turnpikes signed with Capitol Records in 1967 and had a couple of local hit records including "I Know the Inside Story" in 1967 and "Nothing But Promises" in 1968.[4]

By 1973, they had changed their name to Tavares and scored their first R&B top 10 (Pop top 40) hit with "Check It Out",[5] and soon began charting regularly on the R&B and pop charts. Their first album included their brother Victor, who sang lead on "Check It Out", but dropped out of the group shortly afterward. In 1974, Tavares had their first No. 1 R&B hit with Hall & Oates's "She's Gone"

 

1975 turned out to be their most successful year chartwise, with a Top 40 Pop album (In the City), the No. 25 hit "Remember What I Told You to Forget", and their biggest hit, the Top 10 Pop/No. 1 R&B smash "It Only Takes a Minute",[3] which was later successfully covered by both Jonathan King and Take That, and sampled by Jennifer Lopez. They parlayed this success into a spot as an opening act for The Jackson 5. KC and The Sunshine Band was also on this tour. "Minute" was followed by a string of hits: "Heaven Must Be Missing an Angel", "Don't Take Away the Music" (both 1976), and "Whodunit" (1977, another No. 1 R&B hit).[3] In 1977 they also recorded "I Wanna See You Soon", a duet with Capitol labelmate Freda Payne, which received airplay on BBC Radio 1 but failed to chart.

Many of their hits, however, underplayed their R&B background and gave the group the image of being a disco act. This perception was reinforced by their appearance on the soundtrack to the film Saturday Night Fever in 1977. Tavares recorded the Bee Gees song "More Than a Woman", and their version reached the Pop Top 40 that year.[3] The soundtrack became one of the most successful in history, giving Tavares their only Grammy Award.

Later albums, such as Madam Butterfly and Supercharged, strayed from the disco format and were less successful on the pop chart (although they continued to have Top 10 R&B hits such as "Never Had a Love Like This Before", and the popular sociopolitical "Bad Times", written by British singer-songwriter Gerard McMahon). At the start of the 1980s, Tavares left Capitol Records, signing with RCA Records. They had one last major hit, the ballad "A Penny for Your Thoughts", for which they were nominated for a Grammy in 1982; their last major release was Words and Music in 1983.

In 1984, Ralph stepped down from the group. Pooch took over as the non-commissioned business/booking agent for Tavares from 1984 to 2014. Tiny left in the mid-1990s to pursue his solo career, while the other three brothers continued to tour. Tiny rejoined the group in 2009. Musician Feliciano "Flash" Vierra Tavares, the family patriarch and father of all members of Tavares, died in 2008.[7]

Chubby Tavares released his first solo album, Jealousy, on July 17, 2012, a few months after Tavares, the Four Tops (who recorded the original version of "Remember What I Told You to Forget"), and The Temptations toured the UK together. Preceding the album, a digital-only single was released called "It's Christmas". On December 17, it reached No. 5 on Amazon's Acid Jazz chart. Both the album and the single were produced by Carla Olson, and the album was released by "Fuel Records"/Universal Records.

In 2013, the brothers were honored with "Lifetime Achievement Awards" by The National R&B Music Society Black Tie Gala, in Atlantic City, New Jersey. All six brothers attended and performed on stage together for the first time in 37 years.[8]

In 2014, Pooch suffered a stroke and the business/booking for Tavares was turned over to Oriola Mngmt LLC. He regained his health and opted for retirement.[9]

Ralph Tavares died on December 8, 2021, two days before his 80th birthday.[10] Pooch Tavares died on April 15, 2024, at the age of 81.[11][12] On November 29, 2025, Chubby Tavares died at the age of 81.[13]

On April 27, 2026, Tavares was inducted into the Atlantic City Walk of Fame presented by, The National R&B Music Society. Stuart Bascombe of Black Ivory inducted them. Sister Sledge, Melba Moore, Billy Paul, Roy Ayers and Black Ivory were also inducted as part of the 2026 Class.

Newban & Atlantic Starr - Collection


 

vendredi 19 juin 2026

Toney Lee - Reach Up 1983




 

Toney Lee (1986) Teaser (Expanded Edition) 2021


 

Popular 80s Dance Music singer Toney Lee dies at 72

 

(June 19, 2026) We are sad today to report the passing of singer Toney Lee, best known for the 80s dance jam “Reach Up.” His family announced his passing on social media. Arrangements will be announced at a later date.

Lee may not have had the household-name profile of some of the giants who shaped the post-disco era, but for club and dance music fans, the Brooklyn-born singer’s powerful voice remains attached to one of the great early-’80s floor-fillers.

Lee’s signature moment arrived in 1982 with “Reach Up,” a buoyant Radar Records single co-written with producer Eric Matthew. The song became a club favorite, reaching the U.S. dance charts and later finding new life when it was sampled on Phats & Small’s 1999 international hit “Turn Around.” Lee followed with other dance and R&B releases, including “Love So Deep,” “Teaser,” and “My Baby Loves Me,” building a catalog cherished by collectors of boogie, post-disco and garage-era soul.

Decades later, Toney Lee’s music still carries the lift promised in his best-known song: upbeat, urban, spiritually rooted, and made for people who believe the dance floor can be a place of joy. May he rest in peace.

Gospel and R&B music star, Beau Williams dies at 76


 

(June 19, 2026) The rightful tributes have been pouring in from the soul and Gospel world. He had a voice like few others: a powerful tenor that soared over songs of both genres and made him an early winner on television’s Star Search. Today we mourn the passing of singer supreme Beau Williams at age 76. Williams had been ailing with cancer for some time.

The Houston, Texas born Williams may be one of the greatest voices of the past 50 years, period. Williams was performing at an early age, and his clear, booming Gospel voice began winning local talent contests for him by the time he was a teen. He made some early recordings at “Bobo Mr. Soul” and then began providing backup vocal work throughout the 70s, and nearly became the Temptations’ lead singer after the departure of Louis Price in 1980.

With the help of George Benson, Williams landed a recording contract with Capitol Records in 1981. He recorded four albums for Capitol during 1982-86 which which included a number of notable ballads that showed off his strong, multi-octave Sam Cooke-like voice. “Elvina,” “I Think I Know You,” “The Last Time I Made Love” and the booming “Another Place and Time” earned for Williams critical acclaim and an international following but little success in the U.S. He achieved his greatest notoriety in America when he became the winning male singer on the TV talent show Star Search in 1983.

In 1989 Williams went back to his roots, signing with Light Records and releasing the Gospel album Wonderful. He scored a number one Gospel hit with the title cut, a Sam Cooke remake. His follow up album, Love, also hit the top 5 and included another hit Cooke cover, “That’s Heaven to Me.” Williams recorded three more Gospel albums, the last being 1996’s They Need to Know on Insync Records, before he transitioned to principally ministry and live performances.

 Williams has spent most of the last 40 years performing and touring with his message of faith. And the millions of R&B and Gospel fans he reached over those years will be mourning today, just as they celebrate all the wonderful music that he brought to them. May he rest in peace.

The Pointer Sisters - Complete Album Collection (17CD) With Bonus Tracks (2020)


 

Jeffrey Osborne & L.T.D - Peace, Love, Togetherness & Devotion (The History 1976-1990) 13CD


 

Michael Jones - From B.T. Express to Kashif (The Arista Years & More.. (13 Disc Set) 2020


 

Kashif Saleem (born Michael Jones; December 26, 1956 – September 25, 2016)[1][2] was an American singer, songwriter, and record producer from New York City. As a teenager, Kashif joined the funk group B. T. Express.[3] He studied Islam and changed his name from Michael Jones to Kashif.[4] He later signed with Arista Records enjoying success as a solo artist.[5]

Together with Stevie Wonder, he was considered a pioneer in urban music thanks to his specific synthesizer technology approach and the introduction of MIDI in his production.

 In 1974, Kashif was recruited as a keyboard player and vocalist to join the funk band B. T. Express,[5] whose credits included the hits "Express" and "Do It ('Til You're Satisfied)", among others. Seeking a more challenging musical assignment in 1978, Kashif exited B. T. Express and landed a job as a keyboardist for R&B musician Stephanie Mills.

 

In 1983, Kashif signed with Arista Records as a solo artist. Introduced to Arista by Milton Allen, the artist development director, his self-titled debut album Kashif (1983) spawned the hits "I Just Gotta Have You (Lover Turn Me On)", "Stone Love", "Help Yourself to My Love", "Say Something Love", and the instrumental track "The Mood".[4] With this release, Kashif was well received as an innovator in music, as R&B artists were only beginning to experiment with synthesizers and other electronic instruments. In 1984, his second album, Send Me Your Love resulted in two Grammy nominations, "Edgartown Groove", featuring Al Jarreau, and the instrumental "Call Me Tonight" along with the hits "Baby Don't Break Your Baby's Heart" and "Are You the Woman".

His other albums include Condition of the Heart (1985), Love Changes (1987) and Kashif (1989). On the Love Changes album, Exposé provided background vocals. 1989's Kashif included the cover of the Four Tops' hit "Ain't No Woman (Like the One I've Got)".[5] In 1989, Kashif also had a hit with the song "Personality" which was written by Nick Mundy and Gina "Go Go" Gomez.[8] It made it to no. 6 on the Cashbox Top R&B Singles chart,[8] holding the position for three weeks.

 In 1981 Kashif wrote and produced the hit "I'm in Love" for Evelyn "Champagne" King,[5] which was a shift in sound from King's "Shame" to a minimalist becoming Kashif's signature sound. The song revitalized King's career and branded Kashif as one of the most sought-after producers of the day. Over the next ten years, he created hits including "So Fine" for Howard Johnson, "Love Come Down", "Betcha She Don't Love You", and "Back to Love", among many others.

 

In 1985, he received another Grammy nomination for another instrumental titled "The Movie Song". He also wrote and produced "Inside Love" for his musical idol, George Benson. It was during this time that he met and launched the career of then unknown Kenny G with "Hi How Ya Doin" and "Tribeca".[4]

In 1985, Kashif teamed up with then newcomer Whitney Houston. The result was the hit "You Give Good Love". Kashif also produced and was her duet partner on "Thinking About You",[5] a single track from Houston's 17-million selling (30 million until current day) debut album. The album became the bestselling debut album by a female artist. Kashif also produced "Where You Are" on Houston's second project, the result, a 15-million selling (25 million until current day) album titled Whitney.

In 1987, he produced "Love Changes", a chart topper in which Meli'sa Morgan was his duet partner and that name was taken from his bestselling album, which had the same name. The track also appears on Meli'sa Morgan's album Good Love. Also contained on that album was another duet that yielded yet another international hit, the song "Reservations For Two" with Dionne Warwick. Between 1987 and 1989, Kashif continued to churn out the hits for Jermaine Jackson, The Stylistics, Melba Moore, George Benson, Stacy Lattisaw, and many others.

 Kashif died at age 59 of undetermined causes in Playa del Rey, California on September 25, 2016.

Lillo Thomas Collection


 Lillo Thomas (born 1961)[2] is an American sprint runner and soul musician. He reached the peak of his success as a recording artist in the 1980s. His most famous songs include "Sexy Girl" and "I'm in Love." 

 

Early in his life, Thomas was a competitive sprint runner. He retired from athletics in 1984 after a car accident in Brazil.[1][2]

Thomas then quickly established his musical career.[1] His first album, released in 1983 on Capitol Records, charted at #23 on the R&B Albums record charts.[3] Let Me Be Yours also launched his first solo hit, "(You're A) Good Girl", which peaked at #22 on the Hot R&B/Hip-Hop Singles & Tracks. Also a successful session vocalist, he worked with Evelyn "Champagne" King, Kashif, James Ingram, and George Benson, but developed a special relationship with Melba Moore.[1][4] He wrote the song "Mind Up Tonight" for her and joined her on tour in 1984 as her protégé. That same year, he released his second solo album, "All of You", which climbed to #9 on the R&B Albums chart and also reached #186 on the Billboard 200.[5]

In 1985, Thomas toured with comedian Eddie Murphy, but 1987 was the pinnacle of success for his music career when his album Lillo released to become #10 on the R&B Albums chart and launched his most successful single, "I'm in Love."[1] The song reached #2 on the Hot R&B/Hip-Hop Singles & Tracks chart. Two other singles charted, with "Downtown" reaching #11 and "Sexy Girl" at #9 on the same chart.[6]

Thomas returned to recording with a brand new single in 1993. "Out There Doing Wrong", was written, arranged and produced by Thomas and released on THG Music.[citation needed]

In 2010, he released his fourth album, Come and Get It.[1] In 2012, Thomas released his "Greatest Hits" album on the Fitingo Music Label. In 2024, Thomas provided vocals on the title track of Stetsasonic's album Here We Go Again.[7]

Thomas lives in Westchester with his wife Kim, a VP in the Beauty industry. He is also an accomplished painter.

jeudi 18 juin 2026

Gladys Knight & The Pips - Collection


 Gladys Knight & the Pips were an American R&B, soul, and funk family music group from Atlanta, Georgia, that remained active on the music charts and performing circuit for more than three decades starting from the early 1950s.

Starting out as simply the Pips in 1952, derived from a cousin's nickname, the founding members were Gladys Knight, brother Merald "Bubba" Knight, sister Brenda Knight and cousins Eleanor Guest and William Guest. After a couple of years performing in talent shows, the group signed with Brunswick Records in 1957, recording a couple of singles that failed to chart. Brenda Knight and Eleanor Guest eventually left the group and were replaced by another cousin, Edward Patten, and a non-relative, Langston George in 1959. This lineup produced the group's first hit single, "Every Beat of My Heart". After the single was released on three different labels, they changed their name to Gladys Knight & the Pips in 1961. Langston George left the same year and Gladys Knight left in 1962 to start a family with musician Jimmy Newman. Knight rejoined in 1964 and this lineup continued until the group's disbandment in 1989.

The group reached commercial success after signing with Motown Records in 1966. After a year and a half, the group recorded the first hit single version of "I Heard It Through the Grapevine" in 1967, which led to several hit singles for Motown's Soul Records label, including "Nitty Gritty", "Friendship Train", "If I Were Your Woman", "I Don't Want to Do Wrong" and the Grammy-winning "Neither One of Us (Wants to Be the First to Say Goodbye)", before leaving the label for Buddah Records in 1973. At Buddah, they recorded the hits "Best Thing That Ever Happened to Me", "I've Got to Use My Imagination", "I Feel a Song (In My Heart)" and their Grammy-winning and number-one hit single, "Midnight Train to Georgia". In 1974, they recorded the soundtrack to the successful film Claudine with producer Curtis Mayfield, which included the songs "On and On", "The Makings of You" and "Make Yours a Happy Home". Contractual difficulties with their labels forced the group to record side projects from 1977 until 1980 when they signed with Columbia Records. Later hits included "Landlord", "Save the Overtime (For Me)" and the Grammy-winning single "Love Overboard". In 1989, the group disbanded with the Pips retiring and Knight embarking on a successful solo career.