lundi 3 août 2026

Blue Magic - It's Magis (The Studio Albums Discography) (2026)

Blue Magic is an American R&B and soul group, and one of the more popular Philadelphia soul groups of the 1970s. Founded in 1972, the group's original members included lead singer Ted Mills with Vernon Sawyer, Wendell Sawyer, Keith Beaton, and Richard Pratt. From 1972 to 1976 they had 6 top twenty hits on Billboard's R&B chart. Their most notable song was a number one R&B hit single entitled, "Sideshow", which peaked at number 8 on Billboard's pop chart. "Sideshow" sold over one million units and was awarded an RIAA gold record certification. Other notable songs included, "Spell", "What’s Come Over Me", "Three Ring Circus", "Look Me Up", "Welcome To The Club" and "Stop to Start".

Blue Magic was formed in Philadelphia, Pennsylvania in 1972 when former member of The Delfonics, Randy Cain, brought in singer-songwriter Ted Mills to do some writing with the Philly-based WMOT production company to create a new band. A short time later the group Shades of Love, featuring Keith Beaton, Richard Pratt, Vernon Sawyer and his brother Wendell, came in to audition. (According to Marc Taylor in his book A Touch of Classic Soul of the Early 1970s, "although the group performed admirably, they lacked a standout lead singer".) The execs decided to replace the Toppicks, the act Mills recorded with. They inserted Shades of Love (which they owned contractually) with Ted Mills and retitled the group Blue Magic. They were signed with Atco Records through WMOT in the same year.

The group was one of the earliest acts produced by Norman Harris, a Philadelphia recording veteran.[3] The group's harmonies were supported by the MFSB studio house band.[3] Their first song release in 1973 was "Spell" which went onto the US Billboard R&B chart peaking at No. 30 (it was written and co-produced by Mills). They were known for making dreamy ballads and their choreographed stage moves.[4]

Their second release was the uptempo "Look Me Up"; which reached number 36, stayed on the R&B chart for 11 weeks, and was popular on the early disco scene. Their next single was the ballad "Stop to Start". This hit was even more successful, reaching number 14 on the Billboard R&B chart and number 74 on the pop chart. The next single release became their first Billboard US top 10 R&B and Pop hit, "Sideshow".[3] It sold over one million copies, and was awarded a gold disc by the RIAA on August 16, 1974.[5] It climbed to number 8 on the Billboard Hot 100 and topped the R&B chart.[6] The Blue Magic album also went gold. In addition to the four hit singles, it also included another Richard Dickson inspired creation, the hit ballad "What's Come Over Me", a seven-minute rendition of the Main Ingredient million seller "Just Don't Want to Be Lonely", the solid album closer "Tear It Down", and the uptempo "Welcome to the Club".

The first single from their 1975 follow-up album The Magic of the Blue, entitled "Three Ring Circus", also sold well,[3] reaching number 36 in the pop chart and number 5 R&B. MFSB guitarist Bobby Eli and Vinnie Barrett co-wrote both "Sideshow" and "Three Ring Circus".[7]

Because their biggest hits were slower songs, the group became known mostly for their ballads.

 

The album Thirteen Blue Magic Lane in 1975 maintained the group's popularity, and spawned their version of the popular dance number "We're on the Right Track", as well as the ballad "Chasing Rainbows". The song "What's Come Over Me" from their debut album was re-worked as a duet with Margie Joseph dubbed in alongside Mills' original lead vocals. The new approach saw the song climb to number 11 on the R&B chart again in 1975.[8] In total, the group had two R&B chart singles in 1975 and four in 1976.

The group had their first world tour that year which lasted for 42 weeks. The tour included 48 states in the United States, five countries in Europe and a 10-day stay in the Philippines. They concluded their tour with a two-week engagement in the Virgin Islands.

Blue Magic were known also for their choreography. As a visually oriented group, they had several major television appearances, including Soul Train, The Mike Douglas Show, The Jerry Blavat Show, Dancin' on Air, and A.M. Philadelphia.

In April 1975, they were chosen as the best new group of the year which earned two Ebony Awards. The first was presented in New York City by Aretha Franklin, the second in Florida by the female recording artist Vanity.

They have shared the stage with other performers such as The Jacksons, Lionel Richie, The Commodores, Marvin Gaye, Gladys Knight & the Pips, Natalie Cole, The Temptations, The Four Tops, The Spinners, Earth, Wind & Fire, New Edition, The Stylistics, Mick Jagger and others.

The group also contributed background vocals for Alyson Williams and the Rolling Stones (on the song "If You Really Want To Be My Friend" from the album It's Only Rock 'n' Roll).

 By 1977, the group's popularity had faded with the rise of disco and changing music styles, and despite the group continuing to record consistently they failed to chart. Subsequent label moves to Capitol Records for a reunion with Norman Harris (who had left two years earlier) and then the smaller label Mirage resulted in some smaller R&B charting, but no major success.

 

Background singer Richard Pratt left in the early 1980s, after sibling singers Vernon and Wendell Sawyer left. The remaining three members Mills, Pratt and Beaton hired two other singers and traveled to Los Angeles, California, to record with Skip Scarborough and some members of the popular group Earth Wind & Fire on the album Message from the Magic.

In 1988, the original group got back together and had some renewed popularity in late 1989 with the album From Out of the Blue. Also in 1989, they appeared on the song "To Be Your Man", the third single from Big Daddy Kane's second album, It's a Big Daddy Thing.

In 1990, The Amsterdam News carried the story of Mills' near-fatal car accident. After surgery in 1996, Mills returned to the music scene as a solo act, recording an album for Casablanca Records that year entitled This Magic Is Real, featuring the remake of "Tear It Down". The other members of the group brought in new lead Rod Wayne (real name Roderick Bronaugh), who remained with the group until 2004. Bronaugh went on to teach at Tennessee State University.

 

Mills appeared in the touring play, Girl, He Ain't Worth It with The Manhattans, Meli'sa Morgan and Tito Jackson, and appeared in the play Looking for Love in All the Wrong Places. In 2007, Mills recorded the album 3 Tenors of Soul with Russell Thompkins, Jr., original lead singer of The Stylistics, and William Hart of The Delfonics released on Shanachie Records and produced by Bobby Eli.[10]

Mills appeared and gave two concerts for the audiences at the 2014 Soul Train Cruise in February 2014 on the Holland America Eurodam.

On March 11, 2018, Blue Magic reunited to appear on the television series, Unsung on TV One season 12, episode 4.[11]

On July 14, 2018, Mills rescued a man from a burning car on route 22 in Hillside, New Jersey. "I knew it was somebody trapped in there and needed help getting out," said Mills, a Summit resident. "It was flipping in the direction that I was driving."[12]

Former lead Ted Mills continues to pursue a solo career. The name was formally trademarked by Wendell Sawyer and Keith Beaton some years earlier. Vernon Sawyer has his own version of the group, while Richard Pratt led another one at the time of his death in 2022.

Former lead vocalist Rod Wayne died in 2016.

Richard Pratt (born on June 30, 1952) died on March 1, 2022, at the age of 69.

Keith Beaton (born on July 30, 1950) died on January 13, 2023, at the age of 72.

On April 28, 2025 Blue Magic were inducted into the Atlantic City Walk of Fame Presented by, The National R&B Music Society. The Stylistics, Ray, Goodman & Brown, Jean Carne and the late Phyllis Hyman were also inducted.


 

samedi 1 août 2026

Welcome To Manhattan 5 / 2013


 

Welcome To Manhattan 4 / 2013


 

Welcome To Manhattan 3 / 2013


 

Welcome To Manhattan 2 / 2013


 

Welcome To Manhattan 1 / 2013


 

Welcome To Manhattan 126 (2026)


 

Larry Dodson & His Bar-Kays - The Definitive Studio Albums Anthology (2026)


 

Firefly - Love Is Gonna Be On Your Side (Deluxe Collection) (2026)


 

Precious Wilson & Eruption (The Final Anthology Collection + Bonus Tracks (2026)


 

The Copeland Davis Group – Smouldering Secrets (1975)


 

Infatuation - Searching (1984)


 

21st Century - Ahead of Our Time (1975)


 

vendredi 31 juillet 2026

The Cool-Notes - Make It Cool (The Collection)


 The Cool Notes were a British pop-funk group who had a string of chart hits in the UK between 1984 and 1986. The band, which formed in South London, consisted of seven members of both vocal and instrumental talent. They are best known for their UK number 11 hit, "Spend the Night".

James Brown '' Sex Machine '' Final Discography


 

Soul City Chicago: Chicago Labels and the Dawn of Soul Music 2CD


 

Quincy Jones – I Heard That!!

1976 album, originally released as a two vinyl set on A&M Records, from legendary producer and musician Quincy Jones. Disc 1 featured new material whilst disc 2 covered his best work for A&M, showcasing songs such as ‘Body Heat’, ‘Gula Matari’ and ‘Walking In Space’ . Quincy Jones was a consummate jazz musician as well as an arranger and producer, working with everyone from Lesley Gore to Michael Jackson to Frank Sinatra!. Digitally remastered and slipcased. With extensive new notes.


 

Back In Stock / Just In! New Titles & Restocked Classics



 

jeudi 30 juillet 2026

Norman Connors - Studio Albums + Bonus Tracks


 Norman Connors (born March 1, 1947)[1][2] is an American jazz drummer, composer, arranger, and producer who has led a number of influential jazz and R&B groups. He also achieved several big R&B hits of the day, especially with love ballads. He is possibly best known for the 1976 hit, "You Are My Starship" on which lead vocals were sung by Michael Henderson.

 

Connors lived in the same Philadelphia neighbourhood as comedian/actor Bill Cosby and had an interest in jazz from a very early age when he began to play drums.[3] Whilst at elementary school, Connors was exposed to jazz extensively and became heavily influenced by the drummer Lex Humphries and the younger brother of bassist and Jazz-Messenger player, Spanky DeBrest.[3] He first met his idol, Miles Davis, aged just 13 in 1960.[3]

He once sat in for Elvin Jones at a John Coltrane performance he attended while in middle school.[2] Connors studied music at Temple University and Juilliard. His first recording was on Archie Shepp's 1967 release, Magic of JuJu. He played with Pharoah Sanders for the next few years until signing in 1972 with jazz label, Cobblestone Records, a division of Buddah Records, and releasing his first record as a bandleader.[3]

Connors began to focus more on R&B material in the mid-1970s after signing with Buddah Records and then becoming the label's A&R manager. He scored several US hits with songs featuring guest vocalists such as Michael Henderson, Jean Carn, and Phyllis Hyman.[3] The most successful of these was "You Are My Starship" (No. 4 R&B, No. 27 Pop),[4] featuring Henderson in 1976, while "Valentine Love", his first chart success, made No. 10 R&B in 1975,[4] with vocals from Henderson and Jean Carne. Dee Dee Bridgewater also performed with him on the jazz album "Love from the Sun". He has also produced recordings for various artists, including collaborators like Jean Carn, Phyllis Hyman, Al Johnson, Norman Brown, and saxophonist Marion Meadows.[5]

Connors switched to the Arista label when Buddah was bought out in 1978 and achieved a crossover to the disco scene in 1980 when he had the hit "Take it to the Limit", which was released on 12" single. The B side, "Black Cow" (an instrumental) was written by Steely Dan's Walter Becker and Donald Fagen.

In 1988 he had a hit on Capitol Records with "I Am Your Melody" (with B-side "Samba for Maria") from his LP Passion which he produced featuring singer Spencer Harrison (1962–1994). Connors also introduced another up and coming singer on the Passion LP, Gabrielle Goodman who sang Minnie Riperton's "Lovin' You", "My One And Only Love", "Private Stock" and duets with Harrison on the LP.

mercredi 29 juillet 2026

MFSB - The Discography


MFSB, officially standing for "Mother Father Sister Brother",[1] was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios.[2] They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up Harold Melvin & the Blue Notes, the O'Jays, the Stylistics, the Spinners, Wilson Pickett, and Billy Paul.[2]

In 1972, MFSB began recording as a named act for the Philadelphia International label. "TSOP (The Sound of Philadelphia)", also known as the Soul Train theme, was their second and most successful single. Released in March 1974, it peaked at number one on the US Billboard pop and R&B charts. "TSOP" was influential in establishing the disco sound.[2] The track sold over one million copies, and was awarded a gold disc by the RIAA in April 1974.

 

MFSB formed in 1971 and disbanded in 1985, three years after Teddy Pendergrass' car accident, which left him paralyzed.[4]

Assembled by record producers Kenneth Gamble and Leon Huff, MFSB was the house band for their Philadelphia International Records label and originated the "Philly sound" that dominated the early 1970s for the artists who recorded at the Sigma Sound Studios, including The O'Jays, The Spinners, Harold Melvin & the Bluenotes, the Intruders, the Three Degrees, Jerry Butler, and Teddy Pendergrass.[5] Later in the decade, the collective would become known for the hi-hat-dominated disco sounds that became popular in the late 1970s with groups such as the Trammps, First Choice, Ripple and Double Exposure.[citation needed]

It was the 1973 release of their first album, MFSB, that put them on the map.[4] This marked the beginning of a string of instrumental hits that brought major attention to a large orchestra who laid the foundation for the Sound of Philadelphia. The line-up of musicians included Karl Chambers, Earl Young, and Norman Fearrington on drums; Norman Harris, Roland Chambers, Bobby Eli, and T. J. Tindall on guitar; Winnie Wilford and Ronnie Baker on bass; Vincent Montana Jr. on vibes, timpani, orchestra bells, chimes, percussion, arrangements and conductor, and Larry Washington on congas and bongos, Harold Ivory Williams Jr. Jr. on keyboards, plus Leon Huff and Thom Bell on keyboards and Don Renaldo on strings and horns featuring Rocco Bene on trumpet.

 

MFSB's disco sound first hit the top of the Billboard Hot 100 charts as the backing band for the O'Jays' "Love Train" in March 1973.[6]

In 2005, drummer Keith Benson (who along with Charles Collins and Quinton Joseph, had joined the group in 1975 upon Earl Young's departure) revived the group with Kenny Gamble and Leon Huff’s help. The lineup included himself on drums, Jimmy Williams and Stacey McGee on bass, Dennis Harris and Barton French on guitars, Carla Benson and Michael Clark on vocals.

 

In the spring of 1974, Philadelphia International released an instrumental track which had been recorded by the band as the theme music for the television show Soul Train as a single. The record, titled "TSOP (The Sound of Philadelphia)", reached number one on the US Billboard Hot 100 and also topped the R&B chart and the adult contemporary chart.[6] The success of "TSOP" launched a recording career for the band under their own name. MFSB albums and singles were released for the rest of the decade.

MFSB recorded a cover of the Nite-Liters's 1971 instrumental "K-Jee", which gained some popularity later when it was featured in a key scene in the film Saturday Night Fever (1977).[4] It is also included in the soundtrack to that movie. "Sexy" (1975) was later used as a prize cue for the "Big Deal of the Day" on the 1980 version of Let's Make a Deal.

Another popular MFSB number, "Love Is the Message", has been a favorite of dance/disco DJs since its release; countless remixes, both official and unofficial, exist of the song. On September 20, 2004, the record became among the first to be inducted into the newly formed Dance Music Hall of Fame. In October 2004, the song appeared in the video game Grand Theft Auto: San Andreas, playing on funk radio station, Bounce FM.[7] An episode of the television series Pose named after the song aired on July 18, 2018, and the song appeared prominently in the episode.

Due to a disagreement with Gamble & Huff over finances, several members of the group moved on to Salsoul Records, where they became known as the Salsoul Orchestra. Other members began performing as the Ritchie Family orchestra, and John Davis and the Monster Orchestra.[citation needed] Not to be outdone, Gamble & Huff replaced them with a new rhythm section consisting of Charles Collins on drums, Michael Foreman on bass guitar, and Dennis Harris on lead guitar. They also employed Dexter Wansel and others on MFSB's latter recordings for the label.[citation needed]

For decades, MFSB's "My Mood" has been the closing theme music for the Friday 6 p.m. news on WRC-TV, NBC's owned-and-operated television station in Washington, D.C. Longtime WRC-TV anchor Jim Vance said the theme was chosen to help soothe viewers after a week of particularly difficult news but also gave the station a chance to acknowledge the staff responsible for gathering it.[8][9] MFSB's "TLC" (Tender Lovin' Care) was used for decades as the closing credits theme for the Washington, DC, version of the It's Academic quiz show recorded at WRC-TV.[citation needed]

In 2008, some of the members appeared together on new recordings made at Bobby Eli’s Studio E/The Grooveyard in the Philly suburbs. Musicians on the session were Earl Young on drums, Bobby Eli and Dennis Harris on guitars, Jimmie Williams on bass guitar, Rikki Hicks on percussion and T G Conway on keys. Two songs have been released from that session: "Soul Recession" by Double Exposure and "There I go falling in love again" by Chiquita Green.

 

 

 

dimanche 26 juillet 2026

The Chi-Lites - Hot On A Thing (The Discography 1969-2001) (2026)


 

The Chi-Lites  (SHY-lytes) is an American R&B/soul vocal quartet from Chicago. Forming at Chicago's Hyde Park High School in 1959, the group's original lineup consisted of singers Robert Lester, Eugene Record, Creadel Jones, Clarence Johnson, Burt Bowen, Eddie Reed and Marshall Thompson.

The Chi-Lites' greatest fame came during the late 1960s through the early 1970s (with members Record, Jones, Lester and Thompson), scoring eleven top-ten R&B chart hits from 1969 until 1974.[1] The group also charted 21 songs in the Billboard Hot 100 Pop Chart,[2] and had chart hits in Australia, the United Kingdom, Ireland, and Canada, as well as in the U.S.

 

The original members were lead singer Eugene Record, Robert "Squirrel" Lester, Clarence Johnson, Burt Bowen, and Eddie Reed of the Chanteurs.[3] The group was formed at Hyde Park Academy High School where majority of the members attended (Record attended Englewood High School and Thompson would later transfer to DuSable High School in his senior year and study music under Walter Dyett [citation needed]) in Chicago in 1959. The group performed at their High School "Senior Varieties" talent show. Soon after, they released a single written by Johnson, "You've Got a Great Love".[4] Bowen left the group and was replaced by Sollie McElroy of the Flamingos, who was soon replaced by Marshall Thompson of the Desideros. In 1960, Reed died and Thompson brought in Creadel "Red" Jones who was a member of the Desideros to replace him. In early 1964 the group changed their name to the Hi-Lites and released a song, "I'm So Jealous",[5] with Record on lead.

Noting that the name Hi-lites was already in use and wanting to honor their home town they changed their name to Marshall & the Chi-Lites in 1964.[6] Under their new name they recorded four songs: "Pretty Girl" written by Record,[7] who also was on lead, "Love Bandit" written by Jones with Thompson on lead, "Price of Love"[8] and "Baby It's Time". Clarence Johnson left the group later that year, and their name was subsequently shortened to the Chi-Lites.[9] Eugene Record was the musical group's sole songwriter and lead singer. Record never collaborated with members outside his singing group. In 1968, the group met with record producer Carl Davis and signed a contract with Brunswick Records out of Chicago. The Chi-Lites with members Record, Thompson, Lester and Jones recorded their first charting song, "Give It Away" written by Davis and Record. The single became a top ten Billboard R&B hit spending nine weeks on the chart and peaking at No. 10 on March 15, 1969.

 Their major hits came in 1971 and 1972, "Have You Seen Her" and "Oh Girl", the latter becoming a number one single on the Billboard Hot 100 on May 27, 1972.[6] Each sold over one million copies and was awarded a gold disc by the RIAA.[9] Other transatlantic chart hits followed, although their output became more fragmented as the group's personnel came and went.[6] Bass-singer Jones left in 1973, and was replaced in quick succession by Stanley Anderson, Willie Kinsey, and then Doc Roberson. Shortly thereafter, Eugene Record left,[6] and David Scott and Danny Johnson entered. More personnel changes ensued, when Johnson was replaced by Vandy Hampton in 1977. The Chi-lites cut some tracks for the Inphasion label in 1979, which appeared on an obscure album for the Excello label.

 

In 1980 Thompson, Record, Jones and Lester re-formed the group. But Creadel Jones left for a second time in 1982, and the group would remain a trio. In 1983 the group released the critically acclaimed Bottoms Up album and achieved notable club and R&B chart success with the title track and "Changing For You." Released on LARC Records, the album was also released in the UK on the R&B label under the distribution wing of PRT. "Changing For You" album version was released in the UK as a 12" single which became popular in London clubs, including Flicks in Dartford and The Goldmine in Canvey Island. "Changing For You" also remained on the Caister Weekender playlist for two years. "Changing for You" and the title track "Bottoms Up" were heavily played and promoted by UK jazz funk soul DJ Robbie Vincent. An edited version of "Changing for You" entered the UK Singles Chart and reached No. 61. Record left again in 1988, and new lead Frank Reed joined to replace him. Singer Anthony Reynard Watson replaced Reed later that year and the duty of lead vocals would alternate between Reed and Watson over the course of the next decade. (Lester took over singing lead on "Oh Girl", while Watson led on their other songs).

In 1997, while returning home from a concert in Pennsylvania, the Chi-Lites were involved in a serious car crash which resulted in both Reed and Thompson's wife Constance being ejected from the vehicle. Constance died[11] from her injuries and Reed had to have a metal plate inserted in his back. "Hold On to Your Dreams" was included on the Help Wanted (Heroes are in Short Supply) album in Constance's honor. Reed was subsequently replaced once again by Watson until Watson's permanent departure in 2002. On December 13, 1999, BMI named The Chi-Lites, "Oh Girl" No. 36 of the top 100 songs of the century (1900-1999)

 

In 2003, the Chi-Lites 1970 hit "Are You My Woman? (Tell Me So)" was sampled by Beyonce in her song "Crazy in Love,"[13] and their 1974 song "That's How Long" was used as the backdrop for one of the tracks on Jay-Z's Black Album. In March 2004, the group reunited with former lead Eugene Record for a PBS Soul Music special. Record died in July 2005 following a long battle with cancer.[14] Marshall Thompson and Squirrel Lester, along with more recent addition Frank Reed and the group's first female member, wife Tara Thompson, continued as the Chi-Lites, recording and touring over the last two decades with other soul groups such as the Stylistics and Ray, Goodman & Brown. In 2005 the group released the single "Mother Love". Lester died in January 2010, leaving Thompson the sole remaining founding member of the group. Lester was replaced by Fred Simon (formerly of The Lost Generation). In February 2014, Reed died after an illness. In 2018, Warren Tipton, the father of rapper Freddie Gibbs, joined the group.[15] Fred Simon died in April 2026.

As of 2026, Thompson continues the Chi-Lites' legacy as the last surviving member. On June 17, 2020, Hollywood Walk of Fame announced their Class of 2021 to receive stars on Hollywood Boulevard, and the Chi-Lites were named as one of the honorees.

Welcome To Manhattan 123 (The Warmth of Vinyl & Non-Commercial Funk) (2026)

 

Funk Rare, vol. 30 (Special Edition) (2026)

 

Funk Rare 31 / 2026


 

Dance Classics 01 - 60


 

Sterling Harrison (1981) One Size Fits All (2018)


 

Standing Room Only (1982) Heart And Soul (2019)