jeudi 2 juillet 2026

Village People lead singer and founder Victor Willis dies at 74


(July 1, 2026) He was a flamboyant one-of-a-kind singer who fronted a pioneering, one-of-a-kind group. Victor Willis, the lead vocalist and founding member of Village People, has died at age 74. The group announced on social media that Willis passed on June 30, 2026, following what was described as a “short but aggressive illness,” one day before his 75th birthday.

For millions of listeners around the world, Willis was the unmistakable voice behind some of the most memorable songs of the disco era – with a look that was 100% unique. As the man in the police uniform possessing powerful pipes, Willis led the Village People through a series of unlikely, but now iconic, dance hits. “Y.M.C.A.,” “Macho Man,” “In the Navy” and “Go West” moved well beyond the disco floor, finding life at just about any gathering where a crowd could raise its arms and sing along. “Y.M.C.A.” later received major institutional recognition, including induction into the Library of Congress National Recording Registry and the Grammy Hall of Fame.

Born in Dallas, Willis came from a musical and church-rooted background before finding his way to the stage. His work in theater helped lead him to producer Jacques Morali, and from that meeting came the foundation of Village People, a group that turned costume, character and dance music into a worldwide brand.


 Willis’s journey was not without its difficult chapters. He left Village People after the group’s initial peak, later faced personal struggles, and spent years fighting to reclaim proper control and recognition for his contributions. His eventual legal victories regarding songwriting rights became an important late-career chapter, underscoring that behind the camp and spectacle was a serious songwriter protecting his work. In 2017, Willis returned to the Village People name and stage, fronting a new lineup and bringing the songs to another generation of audiences.

 What seemed at first like a novelty act ended up an act with incredible staying power. Both today and the next time you attend a friend’s wedding where “Y.M.C.A” is blasted from the stage, give a toast to this great performer and visionary, who saw the power of both the music and the spectacle in entertaining audiences, and took that approach to a level that still gives absolute joy nearly a half century after it began.

 

mardi 30 juin 2026

Ladies Night (Disco-Funk Collection 3) The Classic 12'' Extended Editions (2021)


 

Bentleyfunk - Memories Never Gone (15Th Anniversary Edition) (Volume1) 2023


 

Bentleyfunk Present The Essential Disco Funk Party (350 Tracks) 2017


 

Bentleyfunk 16Th Anniversary Celebration (2024)


 

Complete Your Masterpiece Series & Save Up to 30%

 





 Masterpiece Vol. 38 Is Here – Complete Your Series & Save Up to 30%


Masterpiece – The Ultimate Disco Funk Collection Vol. 38

The Masterpiece Collection returns with another outstanding selection of rare and timeless disco funk gems. Masterpiece Vol. 38 features 13 carefully selected tracks from artists such as Anthony Watson, Quinn Golden, Shirley Brown, Akiko Kobayashi, RSVP and many more.

From smooth modern soul and boogie grooves to uplifting disco funk classics, this new volume delivers the signature Masterpiece sound that collectors and music lovers have come to expect.





lundi 29 juin 2026

EMB (Essential Modern Boogie) 40 (2023)




 

Funky Town 8 (Radio 2 Klassiekers) 2022 (2CD)


 

Funk Rare, vol. 20 / 2022


 

A Night To Remember (Disco-Funk Collection 2) The Classic 12'' Extended Editions (2021)


 

Tease (1986) Tease (2011)



 

Sunrize (1982) Sunrize (2009)




 

Stroke (1985) Stroke (2008)



 

Gene Van Buren (1982) What's Your Pleasure (Expanded Version)(2009)



 

Forecast (1982) Forecast I (2010)



 

First Circle (1986) Boys' Night Out (Expanded Edition)(2010)



 

BMP (1985) Loc It Up (2010)




 

Blue Magic (1983) Magic # (2008)



 

Bloodstone (1983) Party (2010)



 

The Wootens (1985) The Wootens (2011)



 

vendredi 26 juin 2026

Morris Day (1985) Color Of Success (Deluxe Edition 2026)


 Color of Success is the debut studio album by the funk/R&B singer, Morris Day released in 1985 on Warner Bros. Records.[1] This album has been certified Gold in the US by the RIAA.

 Released a year after departing previous band The Time, the album is similar in style to The Time's material, even going so far as to copy The Time's formula of six songs per album. The album's highlight is "The Oak Tree", a funky-pop number about a dance, akin to "The Bird" by The Time. The album was produced, arranged and composed by Day, who also played drums and keyboards throughout the album. Also on keyboards was Rickey "Freeze" Smith, who would later join Day in the revamped version of The Time in the mid-1990s.

mardi 23 juin 2026

Mark Rae - The Soul Sessions, Vol. 1_ Grand Central vs The Works 2026


 

Tom Funk - What's It Gonna Be 2026


 

D'Atra Hicks – D'Atra Hicks (Expanded Edition 1989)


 

Edwin Birdsong (1981) Funtaztik +4 (Octave Lab 2013)

 

Welcome To Japan - Japanese Modern Soul & Boogie (2026)

 

Let's Groove Tonight (Disco-Funk Collection) The Classic 12'' Extended Editions (2021)


 

Sonny Til - Sonny Til Returns! (1970)


 

Masterpiece - The Girl's Alright With Me (1980)


 

Gemini - Rising (1981)


 

samedi 20 juin 2026

Aurra & Deja Collection


 Aurra was an American 1980s soul group, which, at the time of its biggest success on Salsoul Records, featured Curt Jones (guitar/vocals) and Starleana Young (vocals) and included Steve Washington (bass/guitar/drums), Philip Field (keyboards/synthesizers/vocals) and Tom Lockett (saxophone/percussion).

 

Aurra started off in 1979 as an offshoot of the funk band Slave.[2] Steve Washington[3] first conceptualized the project, which also initially featured fellow former Slave members Curt Jones, Starleana Young, and Thomas Lockett.[2][4] By the time they recorded their first LP, the lineup also included Charles Carter and Buddy Hankerson. Aurra initially signed with Dream Records, and then Salsoul Records. Composer/keyboardist Philip Field, known for his work as a member of Mtume, subsequently joined the lineup.

During the early 1980s, the group found success with hits such as "Are You Single" (number 16 on the US Billboard Hot R&B/Hip-Hop Songs chart), "Checkin' You Out", and "Make Up Your Mind", the last of which became the group's biggest US hit under the Aurra moniker - reaching number six on the R&B chart and number 71 on the pop chart.[5] The group continued to release albums up through the 1985 release Like I Like It; this album was released as Bedtime Story in the U.S. that same year. A revamped version of Like I Like It, featuring an updated cover, was released in Europe in 1986 to include the new single, "You and Me Tonight", along with remixed versions of other tracks from the original album. "You and Me Tonight" reached number 12 on the UK singles chart that year.[6]

By the time Like I Like It was re-released, several group members were at odds with Steve Washington. Legal issues with Washington over the name Aurra led to the duo of principal members Jones and Young breaking away and beginning to record under the name Déjà.[1] In 1987, they released their Virgin Records debut as Déjà, Serious, which was produced in large part by the Time member Monte Moir. Featured on this album was "You and Me Tonight", from the group's Aurra days, introducing American audiences to the song for the first time. "You and Me Tonight" charted in the upper reaches of the US Billboard R&B chart (peaking at number two) and crossed over onto the pop charts, where it peaked at number 54,[7] making it the highest-charting single from any Aurra-associated group. Meanwhile, Starleana Young decided to leave to pursue a solo career and was replaced by Mysti Day in time to record Déjà's follow-up album.[8] The resulting album, Made to Be Together was released in 1989, with the Teddy Riley-produced title track becoming a minor R&B hit.[9]

In 2013, Family Groove Records recovered the lost tapes for the unreleased 'fifth' Aurra album Satisfaction, originally recorded in 1984. The direction of the album was supervised by Steve Washington, Amuka Kelly (also known as Sheila Horne Washington), and Daniel Borine. In 2015 Family Groove Records released the Body Rock album.[10]

In 2019, Aurra's second album as Déjà, the long out of print Made to Be Together was released to digital and streaming platforms.[11][12][13]

On February 1, 2026, it was announced that Steve Washington has died. He was 67

-------------------------------------------------------------------------------------------------------------------------------

 

Joe Bataan - Deluxe Collection


 Bataan Nitollano, also known as Joe Bataan (born 5 November 1942),[1][2] is a Filipino-American Latin soul singer, songwriter and musician best known world-wide and in the Hispanic and Latino music scene as the "King of Latin Soul".

 

In 1966, he formed his first band, Joe Bataan and the Latin Swingers. Bataan's music was influenced by two musical styles: the Latin boogaloo and African American doo-wop. Though Bataan was neither the first nor only artist to combine doo-wop-style singing with Latin rhythms, his talent for it drew the attention of Fania Records. After signing a record contract with them in 1966, Bataan released Gypsy Woman in 1967. (The title track is a Latin dance cover of "Gypsy Woman" by the Impressions). He would, in full, release eight original titles for Fania which included the gold-selling Riot!. These albums often mixed energetic Latin dance songs, sung in Spanish, with slower, English-language soul ballads sung by Bataan himself. As a vocalist, Bataan's fame in the Latin music scene at the time was only rivaled by Ralfi Pagan.[6]

Disagreements over money with Fania Records head Jerry Masucci led Bataan to eventually leave the label. While still signed to Fania however, Bataan secretly started Ghetto Records, a Latin music label which got its initial funding from a local gangster, George Febo. Bataan produced several albums for other artists, including Papo Felix, Paul Ortiz and Orquesta Son and Eddie Lebron.

In 1973, he helped coin the phrase "salsoul", lending its name to his first post-Fania album. He recorded three albums for the Salsoul of Cayre brothers, (Kenneth, Stanley, and Joseph)[7] and several singles, including "Rap-O Clap-O" from 1979 which became an early hip hop hit. After his 1981 album, Bataan II, he retired from music-making to spend more time with his family and ended up working as a youth counselor in one of the reformatories he himself had spent time in as a teenager.

In 2005, Bataan teamed up with producer Daniel Collás to break his long hiatus with the release of Call My Name, a well-received album recorded in New York for Spain's Vampi Soul label.

In early 2009, Bataan was featured in the Kenzo Digital-produced "beat cinematic" City of God's Son. Bataan was featured as the narrator of the story, playing the part of an older Nas reflecting upon his youth in the street with cohorts Jay-Z, Ghostface Killah, Biggie and Raekwon. 

 

In 2014, he met Osman Jr, from French group Setenta which, in collaboration with promoter Benjamin Levy, leads him to play for the first time in Paris in June 2015 at Le théatre des Etoiles, followed by a historic live at the Jazz Mix de Vienne in France. In September 2015, Bataan sang "My Rainbow", a soulful bolero composed by the French band. This title was released in 2016 on the album Paris to Nueva York released by Latin Big Note. With Setenta as this backing band, Bataan travels and plays on famous scenes as Selma in Stockholm (Sweden), Ronnie Scott's (London), the FGO (Paris), the Summer Stage in New York and the Théatre de la Mer of Fiest'a Sète (France).

In 2016, Bataan (along with the Barrio Boys) performed at the FANHS National Conference in New York- where 500 conference attendees danced to his music while cruising the Hudson River on the Hornblower 'Infinity'.[9]

In 2017, Bataan appeared in the Puerto Rican-American film "Shine", and he collaborated with Spanglish Fly,[10] the boogaloo revival group based in New York City, to record New York Rules, written by Manuel Garcia-Orozco and Jonathan Goldman, released on the band's Ay Que Boogaloo! album by record label Chaco World Music.[11] Singing lead vocals, Bataan includes references to his famous songs "Subway Joe" and "Rap-O Clap-O." The Huffington Post calls this recording "charming, spellbinding and irresistible."[12] A remix of the song is included on the soundtrack to She's Gotta Have It (2019), written and directed by Spike Lee

 

The Temptations - Awesome (The Albums Collection 1964-2022) 44 Albums + Bonus Tracks (2022)


 

Shalamar - Soul Train & Solar Years (11 CD + Bonus Tracks) 2022


 

David Ruffin - Deluxe Collection


David Eli Ruffin (born Davis Eli Ruffin;[1] January 18, 1941 – June 1, 1991) was an American soul singer most famous for his work as one of the lead singers of the Temptations (1964–1968) during the group's "Classic Five" period as it was later known. Ruffin was the lead voice on such famous songs as "My Girl" and "Ain't Too Proud to Beg". He later scored two top 10 singles as a solo artist, "My Whole World Ended (The Moment You Left Me)" and "Walk Away from Love".

Known for his unique raspy and anguished tenor vocals, Ruffin was ranked as one of the 100 Greatest Singers of All Time by Rolling Stone magazine in 2008[2] and again in 2023.[3] He was inducted into the Rock and Roll Hall of Fame in 1989 for his work with the Temptations.[4] Fellow Motown recording artist Marvin Gaye once said admiringly of Ruffin that, "I heard [in his voice] a strength my own voice lacked.

 

After moving to Detroit with the Bushes, Ruffin recorded his first released record with the songs "You and I" (1958) b/w "Believe Me" (1958). These songs were recorded at Vega Records and released under the name "Little David Bush", using the last name of his guardian. Ruffin would later recall how he initially recorded "a different kind of music", strongly influenced by the smoother pop and R&B of the time, when he first recorded in Detroit for Vega.[10]

In 1957, Ruffin met Berry Gordy Jr., then a songwriter with ambitions of running his own label.[6] Ruffin lived with Gordy's father, a contractor, and helped "Pops" Gordy do construction work on the building that would become Hitsville USA, the headquarters for Gordy's Tamla Records (later Motown Records) label.[6][10] Jimmy Ruffin would eventually be signed to Tamla's Miracle Records label as an artist.

Ruffin also worked alongside another ambitious singer, Marvin Gaye, as an apprentice at Anna Records, a Chess-distributed label run by Gordy's sister Gwen Gordy Fuqua and his songwriting partner Billy Davis.[6][10]

Asked about Ruffin in the Detroit Free Press in 1988, Gordy Fuqua said: "He was very much a gentleman, yes ma'am and no ma'am, but the thing that really impressed me about David was that he was one of the only artists I've seen who rehearsed like he was on stage".[7] According to Ruffin, both he and Gaye would pack records for Anna Records.[citation needed]

Ruffin created music as both the vocalist and drummer in the Voice Masters, a doo-wop style combo[11] and eventually started recording at Anna Records, where he recorded the song "I'm in Love" b/w "One of These Days" (1961), with the Voice Masters, a group which included future Motown producer, Lamont Dozier. Other group members included members of The Originals: Ty Hunter, CP Spencer, Hank Dixon and (Voice Masters and The Originals founder) Walter Gaines. (At one time, The Voice Masters also included another future Temptations member, Melvin Franklin, one of numerous people David would claim as a cousin).[6] Ruffin did sign to Anna Records as a solo artist, but his work in that time was unsuccessful.[11]

Ruffin eventually met an up-and-coming local group by the name of the Temptations. His older brother, Jimmy, went on a Motortown Revue tour with the Temptations, and he told David that they needed someone to sing tenor in their group. Ruffin shared his interest in joining the group with Otis Williams, who also lived in Detroit.

In January 1964, Ruffin became a member of the Temptations after founding member Elbridge "Al" Bryant was fired from the group. Ruffin's first recording session with the group was January 9, 1964. Ruffin and his brother both auditioned to join the group, but they ultimately chose David after he performed with them on stage during the label's New Year's Eve party in 1963.

 

After joining the Temptations, the bespectacled Ruffin initially sang backgrounds while the role of lead singer mostly alternated between Eddie Kendricks and Paul Williams. Ruffin did sing a few lead parts, both on stage and in the studio, during his first year with the group, but his leads on these studio tracks would not be released for over a year, as they were not considered good enough to showcase his vocals. However, Smokey Robinson, who produced and co-wrote most of the Temptations' material at this point, saw Ruffin during this period as a "sleeping giant" in the group with a unique voice that was "mellow" yet "gruff".[13] Robinson thought that if he could write just the 'perfect song' for Ruffin's voice, then he could have a smash hit.[13] The song was to be something that Ruffin could "belt out" yet something that was also "melodic and sweet".[13] When Robinson achieved his goal, the song, "My Girl", was recorded in November 1964 and released a month later. It became the group's first number-one single in 1965. "My Girl" subsequently became the Temptations' signature song, and elevated Ruffin to the role of lead singer and frontman.

The follow-ups to "My Girl" were also extremely successful singles, and included the Ruffin-led hits "It's Growing" (1965), "Since I Lost My Baby" (1965), "My Baby" (1965), "Ain't Too Proud to Beg" (1966), "Beauty Is Only Skin Deep" (1966), "(I Know) I'm Losing You" (1966), "All I Need" (1967), "(Loneliness Made Me Realize) It's You That I Need" (1967), "I Wish It Would Rain" (1967), and "I Could Never Love Another (After Loving You)" (1968). Ruffin also shared lead vocals on the 1967 hit single "You're My Everything" with Eddie Kendricks. Standing at 6 feet 3 inches (1.91 m), Ruffin's passionate and dramatic performances endeared him to the Temptations' audiences and fans. According to Otis Williams, Ruffin (playfully nicknamed "Ruff" by the group) was a natural comedian and a hard-working singer when he first joined the group.

Ruffin's most notable non-vocal contribution to the Temptations was the masterminding of their trademark four-headed microphone stand.[14] This enabled the other members to sing and do their dances without having to crowd around one microphone while the lead singer would sing into a separate microphone.

However, by 1967, difficulties with Ruffin became an issue for the group. He became addicted to cocaine and began missing rehearsals and performances.[15] Refusing to travel with the other Temptations, Ruffin and his then-girlfriend, Tammi Terrell, traveled in a custom limo (with the image of his trademark black rimmed glasses painted on the door).[16] After the Supremes had their name changed to Diana Ross & the Supremes in early 1967, Ruffin felt that he should become the focal point of the Temptations, just as Diana Ross was for her group, and began demanding that the group name be changed to David Ruffin & the Temptations.[15] This led to a number of disagreements between Ruffin and the group's de facto leader, Otis Williams.[15]

In addition to the group's problems with Ruffin's ego, he began inquiring into the Temptations' financial records, demanding an accounting of the group's money.[17] This caused friction between Ruffin and Gordy.[17][18]

In June 1968, the Temptations agreed that Ruffin had finally crossed the line when he missed a June 22 Cleveland, Ohio, date with the Temptations in order to attend a performance by his new girlfriend, Barbara Gail Martin (Dean Martin's daughter).[19] Ruffin was fired five days later and was replaced with Dennis Edwards, a former member of the Contours, who had been a friend of Ruffin and the group as a whole beforehand.[19] Though Ruffin himself personally encouraged Edwards to take his place, Ruffin began turning up unannounced at Temptations concerts during Edwards' first few dates with the group.[19] When the group started to perform a Ruffin-era song such as "My Girl" or "Ain't Too Proud to Beg", Ruffin would suddenly walk on to the stage, take the microphone from Edwards' hands, and steal the show, embarrassing the group but entertaining the fans.[19] According to Edwards, the adulation and Ruffin's pleas convinced the other four Temptations to give Ruffin a second chance, but when he arrived late to what was to be his return show with the group in Gaithersburg, Maryland, the Temptations decided to keep Edwards and drop considerations of rehiring Ruffin.[20][21] However, Otis Williams has always maintained that Ruffin's firing was permanent, and he was never considered for rehiring.[citation needed]

In October 1968, Ruffin filed suit against Motown Records, seeking a release from the label and an accounting of his money.[17] Motown counter-sued to keep the singer from leaving the label and eventually the case was settled.[17] The settlement required Ruffin to remain with Motown to finish out his initial contract (Ruffin joined Motown as a solo artist and always had a separate contract from the other Temptations, which some felt caused a lot of the in-fighting within the group)

 

Ruffin's first solo single was a song originally intended for the Temptations, "My Whole World Ended (The Moment You Left Me)". The single (from the album also titled My Whole World Ended) was released in 1969 and reached the US Pop and R&B Top Ten. This was followed by the 1969 album Feelin' Good. A third album, titled David, was recorded in 1970–71, but was shelved by Motown and did not see commercial release until 2004.[22]

In 1970, Ruffin recorded an album with his brother Jimmy, I Am My Brother's Keeper, for which they had minor hits with "When My Love Hand (Comes Tumbling Down)" and "Your Love Was Worth Waiting For". Ruffin's next official release for Motown did not arrive until 1973 when David Ruffin was released. While his solo career initially showed promise, Ruffin quickly declined as a performer due to his cocaine addiction, and Motown only giving him the bare minimum of support when it became clear that he was not nearly as popular without the Temptations behind him.

Ruffin's final top ten hit was "Walk Away from Love" in 1975, produced by Van McCoy, which reached number nine on the Pop Charts. It was also Ruffin's only entry into the UK Charts (as a solo artist), and was a hit there as well, making it into the Top Ten (peaking at number 10) in early 1976. The single sold over one million copies and was awarded a gold disc by the R.I.A.A. in February 1976.[23]

Other notable recordings from Ruffin's solo career include "I Lost Everything I've Ever Loved" (1969); the gospel-inflected "I'm So Glad I Fell For You" (1970); "Blood Donors Needed (Give All You Can)" (1973); "Common Man" (1973) (which was sampled on the 2001 Jay-Z song "Never Change"); "No Matter Where" (1974); "Who I Am" (1975); "Statue of a Fool" (1975); and cover versions of the Jackson Five's "I Want You Back", "Rainy Night in Georgia" (popularized by Brook Benton)—both recorded for the shelved 1970 album; and Harold Melvin and the Blue Notes' "I Miss You" (1973), featuring Eddie Kendricks (later Kendrick). 

 After leaving Motown in 1977, Ruffin recorded for Warner Bros. Records, releasing the albums So Soon We Change (1979) and Gentleman Ruffin (1980). He then signed with RCA Records and formed a duo with fellow Temptation Eddie Kendricks, who had recently departed from the group under his own set of difficulties, including the weakening power of his voice after years of chain-smoking. 

 

In 1982, Ruffin and Eddie Kendricks re-joined the Temptations for the recording of their album Reunion and a tour to promote the album, which included the R&B hit, "Standing on the Top", that the group recorded with Rick James. However, the reunion tour was short-lived since Ruffin repeatedly failed to show up for concerts while using cocaine, leading the group to be fined thousands of dollars. Otis Williams fired Ruffin from the group for the second and final time by Christmas 1982.[25]

Ruffin started touring with Kendricks (who dropped the "s" from his last name at this time) as a duo act in 1985 when he was also dismissed for his poor singing. That year, longtime Temptations fans Hall & Oates teamed up with Ruffin and Kendrick to perform at the re-opening of the Apollo Theater in New York. Their performance was released as a successful live album and single. The four singers also sang a medley of Temptations hits at Live Aid on July 13, 1985. In 1985, a live medley of "The Way You Do the Things You Do" and "My Girl" was released by Hall & Oates featuring Ruffin and Kendrick. It reached number 20 on the Billboard Hot 100, number 12 on the Adult Contemporary chart, and number 40 on the R&B chart.[26][27] The single earned Ruffin his first and only Grammy nomination.[28] John Oates later wrote a minor hit single for Ruffin and Kendrick, but the two duos fell out, allegedly due to Daryl Hall's objections to Ruffin's heavy drug use.

After being inducted into the Rock and Roll Hall of Fame with the Temptations in 1989,[4] Ruffin, Kendrick and Dennis Edwards began touring and recording as "Ruffin/Kendrick/Edwards: Former Leads of The Temptations". In 1991, they completed a successful month-long tour of England which grossed nearly $300,000.[29] At the time of his death, they were planning a European tour.[29] Ruffin's final recording in his lifetime was "Hurt the One You Love", which was released as a solo record for Motorcity Records

 

After completing a successful month-long tour of England with Kendricks and Edwards, Ruffin died on June 1, 1991, from an accidental overdose of crack cocaine; he was 50 years old.[49] Ruffin had reportedly collapsed at a West Philadelphia crack house, where he had gone with his friend Donald Brown, according to authorities.[29][38] Brown then drove Ruffin to the Hospital of the University of Pennsylvania, where he was declared dead at 3:55 a.m. that morning from "an adverse reaction to drugs (cocaine)" after emergency room personnel spent almost an hour attempting to revive him.[50][51] The Associated Press reported that Ruffin and a man named William Nowell split ten vials of crack cocaine inside of Nowell's West Philadelphia home hours before he died.[39] Although the cause of death was ruled an accident, Ruffin's family and friends suspected foul play, claiming that a money belt containing $40,000 was missing from his body.[29][50][52] However, Ruffin's girlfriend at the time, Diane Showers, was not surprised when she was informed of his death.[29] Showers stated: "When David had a lot of money, he would be able to do things that he wanted to do."[53]

In The Temptations television miniseries, Ruffin's beaten body is depicted as being dumped in the street in front of a hospital where he dies. It was also stated in the miniseries that Ruffin's body remained unclaimed in a morgue for a week after his death. As a result, Ruffin's estate filed suit against NBC and other major players involved in the making of the series, claiming defamation. According to the plaintiffs in the case, Ruffin was actually taken to the hospital by a limousine and was escorted to the waiting area by his driver, who informed the attendants of his identity. Ruffin's children further stated that his body was claimed by one of them within a few days of his death. Ruffin's estate lost the lawsuit, and the ruling against it was upheld on appeal.[54]

Ruffin's funeral was held at New Bethel Baptist Church in Detroit. Surviving members of the Temptations sang "My Girl". Stevie Wonder and Aretha Franklin also sang at the funeral.[55][56] Michael Jackson volunteered to pay for the funeral expenses, but did not attend the service.[57] Jackson, Rod Stewart, Daryl Hall and John Oates, Diana Ross, the Spinners, and Martha Reeves and the Vandellas sent floral arrangements.[56][58]

Ruffin is buried in section three at Woodlawn Cemetery in Detroit.