The fourth album Patti Austin cut for the CTI label wasn't much
different from the previous three. It was a patchwork quilt: a little
fusion, a little quasi-jazz, some urban contemporary material, and even a
standard or two. She sang them all with ease and grace, although things
were so smooth that they were almost comatose at times. Austin would
later go on to score much bigger hits working with
Quincy Jones, who at least injected enough hooks and tricks into his urban contemporary stuff to grab someone's attention.
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