A stunning return to form by Lee Fields, one of the 70s' lost funky geniuses – heard here in the initial set that would catapult him back in the spotlight for a whole new generation! The record was issued by Desco Records – the key precursor to Daptone, Soul Fire, and other modern funk imprints – and it's got a sound that feels like was lifted from the vaults of James Brown's People label, circa 1972! Unlike other "funk revival" titles of the 90s (especially those by ex-JBs Fred Wesley and Maceo Parker), this one's got a totally perfect sound, and was produced with a loving adherence to the classic 70ss funk sound that made Lee' early records so great – raw vocals, mixed with equally sharp instrumentation – all put together with help from Bosco Mann, Gabriel Roth, and Philippe Lehman – the latter two of whom had been bootlegging older funk records, but were finally ready to try their hand at something of their own. The instrumentation is a tight batch of drum-heavy, bass-heavy, break-heavy grooves – and Lee's voice is incredibly rich and soulful, approaching near-Godfather-like sensibilities! We love this one to death, and it's probably the most perfectly-formed album that Desco ever issued. Titles include "Bad, Bad, Bad", "Let's Get A Groove On", "Watch That Man", "Put It On Me", and "Steam Train". Great great great – and a real smoker!
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