Quincy Jones (Quincy Delight Jones, Jr.)

An impresario in the broadest and most creative sense of the word, Quincy Jones’ career has encompassed the roles of composer, record producer, artist, film producer, arranger, conductor, instrumentalist, television producer, record company executive, magazine founder and multi-media entrepreneur. As a master inventor of musical hybrids, he has shuffled pop, soul, hip-hop, jazz, classical, African and Brazilian music into many dazzling fusions, traversing virtually every medium, including records, live performance, movies and television.

Quincy Jones was born on March 14, 1933, in Chicago, Illinois, and brought up in Seattle, Washington. While in junior high school, Jones began studying trumpet and sang in a Gospel quartet at age twelve. His musical studies continued at the prestigious Berklee College of Music in Boston, Massachusetts, where he remained until the opportunity arose to tour with Lionel Hampton’s band as a trumpeter, arranger and sometime-pianist. He moved on to New York and the musical “big leagues” in 1951, where his reputation as an arranger grew. By the mid-1950s, he was arranging and recording for such diverse artists as Sarah Vaughan, Ray Charles, Count Basie, Duke Ellington, and Dinah Washington.

In 1957, Jones decided to continue his musical education by studying with Nadia Boulanger, the legendary Parisian tutor to American expatriate composers such as Leonard Bernstein and Aaron Copeland. To subsidize his studies, he took a job with Barclay Disques, Mercury’s French distributor. Among the artists he recorded in Europe were Charles Aznavour, Jacques Brel and Henri Salvador, as well as such visitors from America as Sarah Vaughan, Billy Eckstine and Andy Williams. Jones’ love affair with European audiences continues through the present: in 1991, he began a continuing association with the Montreux Jazz and World Music Festival, which he serves as co-producer.

Jones won the first of his many Grammy Awards in 1963 for his Count Basie arrangement of “I Can’t Stop Loving You.” Jones’ three-year musical association as conductor and arranger with Frank Sinatra in the mid-1960s also teamed him with Basie for the classic Sinatra At The Sands, containing the famous arrangement of “Fly Me To The Moon.”

 When he became vice-president at Mercury Records in 1961, Jones became the first high-level black executive of an established major record company. Toward the end of his association with the label, Jones turned his attention to another musical area that had been closed to blacks--the world of film scores. In 1963, he started work on the music for Sidney Lumet’s The Pawnbroker, and it was the first of his thirty-three major motion picture scores. In 1985, he co-produced Steven Spielberg’s adaptation of Alice Walker’s The Color Purple, which won eleven Oscar nominations, introduced Whoopi Goldberg and Oprah Winfrey to film audiences, and marked Jones’ debut as a film producer.

In 1990, Jones formed Quincy Jones Entertainment (QJE), a co-venture with Time Warner, Inc. The new company, which Jones served as CEO and chairman, produced NBC Television’s Fresh Prince Of Bel Air (now in syndication), and UPN’s In The House and Fox Television’s Mad TV. He is also the publisher of VIBE Magazine (as well as founder), SPIN and Blaze magazines. Also in 1990, his life and career were chronicled in the critically acclaimed Warner Bros. film, Listen Up: The Lives of Quincy Jones, produced by Courtney Sale Ross.

In 1994, Quincy Jones led a group of businessmen, including Hall of Fame football player Willie Davis, television producer Don Cornelius, television journalist Geraldo Rivera and businesswoman Sonia Gonsalves Salzman in the formation of Qwest Broadcasting, a minority controlled broadcasting company which purchased television stations in Atlanta and New Orleans for approximately $167 million, establishing it as one of the largest minority owned broadcasting companies in the United States. Quincy served as chairman and CEO of Qwest Broadcasting. In 1999, taking advantage of the rapid escalation of broadcast station values, Jones and his partners sold Qwest Broadcasting for a reported $270 million. In 1997, Quincy Jones formed the Quincy Jones Media Group.

The laurels, awards and accolades have been innumerable: Quincy has won an Emmy Award for his score of the of the opening episode of the landmark TV miniseries, Roots, seven Oscar nominations, the Academy of Motion Picture Arts and Sciences’ Jean Hersholt Humanitarian Award, twenty-seven Grammy Awards, and N.A.R.A.S.’ prestigious Trustees’ Award and The Grammy Living Legend Award. He is the all-time most nominated Grammy artist with a total of seventy-nine Grammy nominations. In 1990, France recognized Jones with its most distinguished title, the Legion d’ Honneur. He is also the recipient of the French Ministry of Culture’s Distinguished Arts and Letters Award. Jones is the recipient of the Royal Swedish Academy of Music’s coveted Polar Music Prize and the Republic of Italy’s Rudolph Valentino Award. He is also the recipient of honorary doctorates from Howard University, the Berklee College of Music, Seattle University, Wesleyan University, Brandeis University, Loyola University (New Orleans), Clark Atlanta University, Claremont University’s Graduate School, the University of Connecticut, Harvard University, Tuskeegee University, New York University, University of Miami and The American Film Institute. Jones was also named a 2001 Kennedy Center Honoree, for his contributions to the cultural fabric of the United States of America.

 Productions (and songs) appear on:
Aretha Franklin: LP Hey Now Hey, The Other Side Of The Sky (Atlantic, 1973)
Aretha Franklin: LP/CD Aretha's Jazz (Atlantic, 1972)
Brothers Johnson, The: LP/CD Look Out For # 1 (A&M, 1976)
Brothers Johnson, The: LP/CD Right On Time (A&M, 1977)
Brothers Johnson, The: LP/CD Blam!! (A&M, 1978)
Brothers Johnson, The: LP/CD Light Up The Night (A&M, 1980)
Brothers Johnson, The: "Let’s Swing" - non album release, B-side of "Stomp" (A&M, 1980)
Ernie Watts: LP/CD Chariots Of Fire (Qwest, 1982)
Donna Summer: LP/CD Donna Summer (Warner Bros., 1982)
Donna Summer: "Sometimes Like Butterflies" - non album release, B-side of "Love Is In Control (Finger On The Trigger)" (Warner Bros., 1982)
George Benson: LP/CD Give Me The Night (Warner Bros., 1980)
James Ingram: LP/CD It's Your Night (Qwest, 1983)
Michael Jackson: LP/CD Off The Wall (Epic, 1979)
Michael Jackson: LP/CD Thriller (Epic, 1982)
Michael Jackson: LP/CD Bad (Epic, 1987)
New Order: 12 INCH "Blue Monday 1988" (Qwest, 1988)
Patti Austin: LP/CD Every Home Should Have One (Qwest, 1981)
Patti Austin: LP/CD Patti Austin (Qwest, 1984)
Quincy Jones: LP/CD Walking In Space (A&M, 1969)
Quincy Jones: LP/CD Gula Matari (A&M, 1970)
Quincy Jones: LP/CD They Call Me Mister Tibbs! - Original Motion Picture Score (United Artists, 1970)
Quincy Jones: LP/CD Smackwater Jack (A&M, 1971)
Quincy Jones: LP/CD Dollars - Original Motion Picture Soundtrack (Reprise, 1971)
Quincy Jones: LP The Hot Rock - Original Motion Picture Soundtrack (Prophesy, 1972)
Quincy Jones: LP The Getaway - Original Motion Picture Soundtrack (A&M, 1973)
Quincy Jones: LP/CD You've Got It Bad Girl (A&M, 1973)
Quincy Jones: LP/CD Body Heat (A&M, 1974)
Quincy Jones: LP/CD Mellow Madness (A&M, 1975)
Quincy Jones: LP I Heard That! (A&M, 1976)
Quincy Jones: LP/CD Roots - The Saga Of An American Family - Original Soundtrack (A&M, 1977)
Quincy Jones: LP/CD Sounds…And Stuff Like That!! (A&M, 1978)
Quincy Jones: LP/CD The Dude (A&M, 1981)
Quincy Jones: LP/CD Back On The Block (Qwest, 1989)
Rufus & Chaka Khan: LP/CD Masterjam (Warner Bros., 1979)
The Wiz: LP/CD Original Motion Picture Soundtrack (MCA, 1978)
Young M.C.: LP/CD Stone Cold Rhymin' (Delicious Vinyl, 1989)
USA For Africa: 12 INCH "We Are The World" (Columbia, 1985)