The History Of Bob James

James was born on Christmas Day of 1939 in Marshall, Missouri, United States.^[1] He started playing the piano at age four.^[1] His first piano teacher, Sister Mary Elizabeth, who taught at Mercy Academy, discovered that he had perfect pitch. At age seven, James began to study with R. T. Dufford, a teacher at Missouri Valley College. At age 15, James continued his studies with Franklin Launer, a teacher at Christian College in Columbia, Missouri, with more music instruction during high school from Harold Lickey, conductor of the Marshall High School Band and Orchestra. Apart from the piano, James learned to play trumpet, timpani, and percussion. From 1950 to 1956, he competed in the Missouri State Fair piano competitions and received several blue ribbons.

James attended the University of Michigan,^[1] but during his second year transferred to Berklee College of Music in Boston, Massachusetts. At Berklee his roommate was saxophonist Nick Brignola.

 

His first professional music job was when he was eight years old, playing for a tap dance class at Mercy Academy. During his adolescence, James's music career proliferated. Early jobs included being a member of the Earle Parsons Dance Band (c. 1952–55) which played various engagements around the Marshall area. During this time, he penned his first dance band arrangement.

During the summer of 1955, at Lake of the Ozarks in Missouri, James played for dancing and occasional jam sessions with the Bob Falkenhainer Quartet on the Governor McClurg Excursion Boat in the evenings. He recalls that "during the day we had free time and I became a proficient water skier that summer!" At age 16, a solo engagement followed in the summer when James traveled with good friend Ben Swinger to Colorado and ended up with a job in the piano bar at the Steads Ranch resort in Estes Park.

 

While in college at Michigan, James played free jazz with musicians in Ann Arbor and Detroit. In 1962, his band entered the Notre Dame Collegiate Jazz Festival, where the judges included Henry Mancini and Quincy Jones. The trio entered the competition not expecting to win but wanting to provide some avant-garde music in a contest field that was primarily straight ahead music.^[5] To the trio's surprise, they won the competition. Not long after, Jones signed James to an album deal with Mercury Records. Mercury released James's first album, Bold Conceptions (1963), a somewhat free jazz exploration that was produced by Quincy Jones and that differed from the smooth jazz for which he would later become known.^[6][7][3]

In New York City, James worked as an arranger and was hired as piano accompanist for jazz singer Sarah Vaughan.^[1] He reunited with Quincy Jones when Jones asked him to do some arranging for studio sessions.^[1] Creed Taylor, producer and founder of CTI Records, was at the sessions and hired James to work for CTI as a producer, arranger, and studio musician.^[1] In the 1970s, James worked on albums by Gabor Szabo, Milt Jackson, Stanley Turrentine, Grover Washington, Jr. (notably on Mister Magic), and Maynard Ferguson.

 

Creed Taylor invited James to record a solo album. The result, One (CTI, 1974), contained the song "Feel Like Making Love", with which Roberta Flack had already had a hit. James had been hired to play piano for the song on Roberta Flack's album two weeks before recording a version of his own, using the same band. Radio stations played both and contributed to the commercial success of One.^[6] The album was notable for adapting classical music to a modern-day scene, e.g. "In The Garden" was based on Pachelbel's Canon in D and "Night on Bald Mountain" was a cover of Modest Mussorgsky's composition of the same name.

After three solo albums, James founded his own record label, Tappan Zee. Immediately thereafter, he cut a disco version of the Theme to Star Trek: The Motion Picture, a 45 of which was included with the soundtrack LP, and recorded the album Touchdown (Tappan Zee/Columbia/CBS, 1978).^[8] Among the songs on the album was "Angela", the theme song for the TV show Taxi. James provided all the music for Taxi and collected some of its music, including "Angela", on The Genie: Themes & Variations from the TV Series Taxi (Columbia/CBS, 1983).^[9] When he toured in 1979, he was supported by a marketing campaign that included posters of him at the wheel of a New York yellow cab. The performances were documented on the album All Around the Town (Tappan Zee/Columbia/CBS, 1980), with a cover of James at the wheel of a taxi.

James turned from smooth jazz to classical music to record Rameau (CVS Masterworks, 1984), his interpretations of Baroque-period composer Jean-Philippe Rameau.^[10] In later albums, he interpreted the work of two more Baroque composers, J. S. Bach and Domenico Scarlatti.

A year after Rameau, he moved to Warner Bros. Records and collaborated with David Sanborn on Double Vision (Warner Bros., 1986); the album won a Grammy Award for Best Jazz Fusion Performance.^[11] He would record albums for Warner Bros. (which also reissued Bob James' CTI and Tappan Zee/Columbia back catalog in the mid-1990s) for the next seventeen years. His collaboration with Earl Klugh, One on One, won a Grammy Award for Best Pop Instrumental Performance in 1980 and has sold over one million copies. Another collaboration with Klugh, Cool, (Warner Bros., 1992) was nominated for a Grammy, as was Joined at the Hip (Warner Bros., 1996) with Kirk Whalum. He also recorded Flesh and Bone in 1995 with his daughter, Hillary James, and another solo album, Joy Ride (Warner Bros., 1999). Joined at the Hip was reissued with a 2019 Remaster on evosound.