In the course of 1976 the shrewd entrepreneur lifted his company to a
higher level. Due to the high oil prices and the Dollar and Pound
exchange rates, vinyl records imported from the U.S. and U.K. were very
expensive on the European mainland. Also the competition from other
importers, many of whom had previously worked with Petrus, intensified.
For these reasons he decided to embark upon a new direction: domestic
record production. He dreamed of exporting Italy-made dance music
worldwide. His ultimate goal was putting his name to music of his own
and score a hit record in the United States. The foundation for Goody
Music Production had been laid...
While Franco Donato
took care of the music stores and the distribution network, Fred Petrus
focused on his new role as a music producer and publisher. He attracted
young talented musicians from the region of Emilia-Romagna (Bologna,
Ferrara, Modena, Rimini, …) who orbited Bologna's Fonoprint Studios and
who were often conservatory-trained. With partner Mauro Malavasi he started recording music.
According to Freddie Petrus, the transition from retailing to
producing was a logical one. He explained, "When someone does well in
retailing, he gets familiar with the music and with what will sell. In
addition to running the stores, I was also supplying the Italian deejays
with their records, like a record pool, so I had a pretty good idea of
what was popular". And Fred Petrus continued, "I had met many musicians
who were looking for a producer, including the artist Marsius from
Bologna who would become the singer of Macho. I was prepared to risk
everything for that project." And Petrus continued, "The first Macho
album was recorded in Italy and France; the result was international
appeal. It was mixed in the U.S., and sold well there. That was when I
set up the Goody Music label in Italy."
Former location of the Goody Music Import store at Via Marghera No.1, Milano
Former location of the Goody Music Import store at Viale Premuda No.2, Milano
The story goes that the music retailer had a crucial conversation in
1976 with a singer who sometimes ended up at the Goody Music shop in
Milan to stock up on fresh vinyl. Musician Marzio Vincenzi aka artist Marsius
led a ballroom orchestra and went around the dance halls and clubs of
Emilia-Romagna and the Italian Riviera with his band. In that period the
discotheques still had a stage where bands would play successful songs,
from Rhythm & Blues to Rock, from James Brown to Santana. During a
visit to Freddie's office on Via Friuli, he came up with a proposal.
Vincenzi brought an audio cassette and made Fred Petrus and Franco
Donato listen to a demo he had recorded with his friend Mauro Malavasi.
They had created a disco re-work of a 1967 song by The Spencer Davis
Group and transformed the song "I'm A Man" into a stretched-out disco
stomper, as the trend of the moment required. Evening after evening,
Marzio had noticed that the audience went wild on the dance floor
whenever his band performed that song. And that moreover, it was the
song that fit his voice the best. In short, his "hit song". Petrus
really liked the idea but needed an arranger/producer who could
accomplish the task in a professional recording studio. Marzio, who was
from Bologna –home of the Music Conservatory Giovanni Battista Martini (see photo) and the Fonoprint recording studio– believed Malavasi was the right man for the job.
Marzio's Bolognese friend
Mauro Malavasi
was an extremely talented musician who was planning a career as a
symphony conductor. They were already teaming up on several of Marzio's
disco projects, Malavasi being the composer and arranger of several
songs that would be released in 1977. Mauro Malavasi was actually still
studying music when retailer Petrus eagerly approached the young
trumpeteer and arranger upon the warm recommendation of Marzio. Them
meeting turned out to be pivotal. Fred Petrus and Malavasi quickly
realized they were on a same wavelength and the experiment was born.
Marzio's idea came to fruition in the Macho disco project. Malavasi
arranged and produced the definitive disco version of "I'm A Man" and
Marzio got to sing lead on his favourite song that reached the US Top 10
in the Billboard Dance chart in October 1978. As a result of their
disco connection in 1976, it seems that Jacques Fred Petrus even decided
to help his young friend graduate at the conservatories of Rome and
Bologna through some financial backing. Mauro succeeded in obtaining no
less than five degrees. The meeting of the two opened up a new chapter
of the Italian music industry.
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