dimanche 30 juin 2024

R.J.'s Latest Arrival


 

Led by R.J. Rice, aka the Wiz, R.J.'s Latest Arrival were a Detroit-based band that placed 17 singles on Billboard's R&B chart from 1981 through 1990. Rice played keyboards and sang, and he arranged, produced, and either wrote or co-wrote the majority of his band's material. Membership included vocalist/guitarist DeDe Leitta (Rice's wife), keyboardist/vocalist Dean Dipierro, bassist Craig Lane (aka C.L. Grand), drummer Rudy Maldonado (aka Rudy Famous), guitarist Paul Munro (aka Fingers), and vocalist Robin Marie Powell. Although they reached the R&B Top Ten with the distinctive "Shackles," "Hold On," and "Off the Hook (With Your Love)," they deserved a greater level of success, likely thwarted by a lack of stable label support. As contemporaries such as Midnight Star and the S.O.S. Band were nurtured primarily by one label, R.J.'s Latest Arrival bounced around to roughly a dozen different independents and majors, many of which were unable to properly market and promote them.

R.J.'s Latest Arrival debuted in the late '70s on Ariola, where they didn't seem to have much creative control. Early singles "Crystal" and "Does She Do It Like She Dances," in which the band resembled Rose Royce on a smaller budget, were written and produced by collaborators outside the group. Once the roles of Rice and his mates expanded, the band quickly developed a funky character of their own, as heard on the independent releases "Ultimate Masterpiece" and "Wind Me Up." The latter, a slice of free-spirited synth funk given wider release through licensing to Buddah, was the band's first A-side to chart, though it peaked at only 59. Equally pleasurable tracks such as "Body Snatcher" and "Aerobic Dancin' (Keep Dancin')" left commercial impressions of similar size, but "Shackles," released in 1984, gave the band their greatest exposure nationwide. It reached number six and led to a one-album stint with major label Atlantic, as well as a longer but equally unstable period with Manhattan, EMI-Manhattan, and EMI-USA. In addition to two more Top Ten singles, this era was highlighted by "Heaven in Your Arms," among the finest late-'80s ballads.

Following the band's 1990 split, Rice established Barak Records. An outlet for Detroit and metropolitan area rap artists, the label issued recordings by the likes of Slum Village, Phat Kat, and B.R. Gunna, the last of which featured Rice's son, Ralph "Young R.J." Rice, Jr. Apart from some compilation appearances, the discography of R.J.'s Latest Arrival remained elusive. As of the late 2010s, the majority of it was unavailable digitally, and original releases were available primarily through second-hand sources.

RJs Latest Arrival - One Step at a Time (2023)


 

Shackles (1995)


 

Tangled in Love (1989)


 

Truly Yours (1988)


 

Hold On (1986)


 

RJ's Latest Arrival 1985


 

Harmony (1984)


 

R.J.'s Latest Arrival (1982)


 

R.J.'s Latest Arrival (1979)


 

Double Exposure: My Love Is Free – The Salsoul Recordings (1976-1979 (Soul Music Records) (4CD) 2024


 

vendredi 28 juin 2024

SILVER CONVENTION: GET UP & BOOGIE – THE WORLDWIDE SINGLES 2024


 

JESSE JOHNSON: JESSE JOHNSON REVUE/SHOCKADELIA/EVERY SHADE OF LOVE 2024


 

LUTHER: THIS CLOSE TO YOU 1977/2024


 

The Salsoul Orchestra: It’s Good For The Soul-The Vince Montana Years (1975-1978) (8CD)


 

The Spinners Keep On Keepin’ On – The Atlantic Years (Phase Two 1979-1984) (7CD)


 

Loleatta Holloway We’re Getting Stronger – The Gold MindSalsoul Recordings (1976-1982) (5CD)


 

Taana Gardner: When You Touch Me-The West End Recordings (Expanded Edition) (2CD)


 

Midnight Star - Definitive Collection (3CD) Robinsongs (2024)


 

First Choice: Love Having You Around – The Gold Mind Recordings (1977-1980) (Soul Music Records 4CD)


 

Bentleyfunk V.I.P. ROOMS


 

mercredi 26 juin 2024

Unlimited Touch

Unlimited Touch was an American, New York–based post-disco group,[2] most active in the early 1980s.[2] The group's most famous song in its short lifespan was "I Hear Music in the Streets", which made number 6 on US Dance chart in 1981.
The group consisted of Audrey Wheeler (lead singer), Philip Hamilton, Tony Cintron, Sandy Anderson, Stephanie James and Lenny Underwood.[1] Raymond Reid and William Anderson from New York–based band Crown Heights Affair instigated Unlimited Touch in the early 1980s,[2] but they were not part of the band.[4] The group was signed to Prelude Records (via Epic Records in the UK)[4] and released their self-titled debut album in 1981.[5] Charles Richards was the executive producer of the group. Lenny Underwood co-wrote "I Hear Music in the Streets" and "Searchin' to Find the One", which were minor hits in the US Billboard R&B chart.

Due to a label and group dispute, they disbanded by the end of 1981,[4] but re-formed in 1983 with a new line-up of just three of the original members: Wheeler, Anderson, and James. They released a second album Yes We're Ready in 1983.[2] Their final single "Reach Out (Everlasting Lover)" reached number 54 on the US Dance chart in 1984,[3] but the group disbanded again not long after this.[2] In 1993, Unidisc Music issued the Searching to Find the One compilation album.[2]

In 1997, "I Hear Music in the Streets" was sampled by Rampage, along with Billie Lawrence on their song "Take It to the Streets".[6] The song has also been sampled by producer Sean Combs who sampled the bass guitar and drum breakdown for the Faith Evans song "All Night Long" in 1999.[4]

On March 31, 2020, bassist Sandy Anderson died from the COVID-19 virus.


Studio albums



 

Stacye And Kimiko - Paradise (MCA Records Japan) 1990



 

GIBSON BROTHERS 1977 - 2005

1977
1977
1978
1979
1980
1981
1984
1996

 2005

lundi 24 juin 2024

Leon Haywood – The Legacy Of Dr. Martin Luther King Jr. (There Ain't Enough Hate Around) 1996


 

Leon Haywood - Freaky Man 1994


 

Leon Haywood - Its Me Again (Expanded) 1983/2009


 

Leon Haywood - Naturally (Expanded) 1980/2014

Leon Haywood is known for 1975's "I Want'a Do Something Freaky to You" and his 1967 hit "It's Got to Be Mellow," and the soul man wasn't doing badly in 1980, when he enjoyed a number two R&B hit with the funky "Don't Push It, Don't Force It" and followed it up with the equally funky, equally infectious "If You're Lookin' for a Night of Fun." Both of those hits are included on Naturally, one of Haywood's strongest albums. Those who acquired the vinyl LP for its singles also found a lot to admire about the songs that weren't played on the radio, which range from the gritty "That's What Time It Is" (a James Ingram song) to the insistent rap gem "Lover's Rap." Haywood doesn't do any singing at all on "Lover's Rap" -- he raps all the way through the tune, which was unusual for an R&B artist back in 1980. At the time, many R&B singers considered hip-hop a passing fad and doubted that it would last more than a few years; little did they know that it would be going strong 20 years later. Haywood's rapping on "Lover's Rap" indicates that he had been paying close attention to early hip-hoppers like Kurtis Blow and the Sugarhill Gang, and he deserves credit for acknowledging hip-hop at a time when many other R&B vocalists refused to take it seriously. However, "Lover's Rap" is the only tune on Naturally that has anything to do with hip-hop. This is a soul/funk LP first and foremost, and it's a record that Haywood should be proud of.
 

Leon Haywood - Energy 1979


 

Leon Haywood - Double My Pleasure 1978


 

Leon Haywood - Intimate (Expanded) 1976/2016