The fourth album Patti Austin cut for the CTI label wasn't much different from the previous three. It was a patchwork quilt: a little fusion, a little quasi-jazz, some urban contemporary material, and even a standard or two. She sang them all with ease and grace, although things were so smooth that they were almost comatose at times. Austin would later go on to score much bigger hits working with Quincy Jones, who at least injected enough hooks and tricks into his urban contemporary stuff to grab someone's attention.
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