Janet Jackson's Rhythm Nation 1814 (also simply known as Rhythm Nation 1814) is the fourth studio album by American singer Janet Jackson, released on September 19, 1989, by A&M Records. Although label executives wanted material similar to her previous album, Control (1986), Jackson insisted on creating a concept album addressing social issues. Collaborating with songwriters and record producers Jimmy Jam and Terry Lewis, she drew inspiration from various tragedies reported through news media, exploring racism, poverty, and substance abuse, in addition to themes of romance. Although its primary concept of a sociopolitical utopia was met with mixed reactions, its composition received critical acclaim. Jackson came to be considered a role model for youth because of her socially conscious lyrics.
As with Control, recording for Rhythm Nation 1814 took place at Lewis and Jam's Flyte Tyme Studios in Minneapolis, Minnesota where they worked in seclusion with Jackson to complete the album. Noted for its use of sampling and utilizing heavily swung synthesized percussion throughout its production, the record encompasses a variety of musical styles, such as new jack swing, hard rock, pop, dance and industrial music. Songs range from mechanized dance rhythms to soft balladry, giving it appeal across multiple radio formats. It is the only album in the history of the US Billboard Hot 100 singles chart to have seven commercial singles peak within the top five positions. It is also the first album to produce number one hits on the chart in three separate calendar years, beginning with "Miss You Much" in 1989, "Escapade" and "Black Cat" in 1990, and culminating with "Love Will Never Do (Without You)" in 1991.
Rhythm Nation 1814 became Jackson's second consecutive album to top the Billboard 200 and was certified 6× Platinum by the Recording Industry Association of America (RIAA). It became the best-selling album of 1990 in the United States and has sold an estimated 12 million copies worldwide.[2][3] Due to its innovative production and lyrical exploration, critics have come to regard it as the pinnacle of Jackson's artistic achievement. Music scholars note the record garnered her a level of cross-cultural appeal unmatched by industry peers. Considered a "landmark" album, it has also been cited as an influence in the works of numerous music artists, setting stylistic trends in the years following its release.
Visuals in music videos and live performances further elevated Jackson's superstardom. The 30-minute Rhythm Nation 1814 film, a film depicting two aspiring musicians whose lives are disrupted by substance abuse, aired on MTV to promote the album. Jackson's Rhythm Nation World Tour 1990 became the most successful debut concert tour by a recording artist at the time. She was regarded as a fashion icon, with various attire from the album's promotional tour and music videos being emulated by youth. Jackson received nine Grammy Award nominations, becoming the first woman to be nominated for Producer of the Year and winning Best Long Form Music Video for Rhythm Nation 1814. Jackson received the MTV Video Vanguard Award and a star on the Hollywood Walk of Fame for her significant contributions to popular culture. Her handwritten lyrics to the album's title track "Rhythm Nation" as well as her militaristic uniform for its music video have been preserved by the Rock and Roll Hall of Fame. In 2021, the Library of Congress announced it selected the album for preservation in the National Recording Registry as part of the class of 2020, deeming it "culturally, historically, or artistically significant."
Following the critical and commercial breakthrough of her third studio album Control (1986), Jackson was motivated to take a larger role in her album's creative process.[4] According to Billboard's Hottest Hot 100 Hits (2002), A&M Records requested she record an album similar to Control. It was rumored that label executives suggested a concept album titled Scandal, which would have centered on her personal and family life.[5] However, Jam later denied the claim that Scandal was ever suggested, although he confirmed there was encouragement to produce a "Control II".[6] Jackson opposed the idea of a direct sequel to Control, stating "that's what I didn't want to do. I wanted to do something that I really believed in and that I really felt strong about."[7] She was initially criticized for choosing to dedicate the album's theme to social consciousness, but remained committed.[8] Jam stated that her inspiration came primarily from watching CNN and other news sources. In particular, her reaction to the Stockton playground murders led to recording "Livin' in a World (They Didn't Make)", "Rhythm Nation" and "State of the World".[5]
While discussing the origin of the title "Rhythm Nation", Jackson stated she first uttered the phrase during a conversation with her producers. "I thought it would be great if we could create our own nation" adding that it would be "one that would have a positive message and that everyone would be free to join."[5] She based the idea on the prevalence of various youth groups and organizations that are formed as a means of creating a common identity. The usage of the number "1814" represents the year the national anthem "The Star-Spangled Banner" was written.[9][10] Rolling Stone emphasized the core concept is further explored in the album's opening pledge (the first track of the recording), which states: "We are a nation with no geographic boundaries, bound together through our beliefs. We are like-minded individuals, sharing a common vision, pushing toward a world rid of color-lines."[11] Several critics noted that "R" (Rhythm) and "N" (Nation) are the eighteenth and fourteenth letters of the alphabet, though Jackson said this was coincidental.[5]
Jackson's primary goal for the record was to reach a younger audience who may have been unaware of what it means to be socially conscious individuals. She expressed: "I wanted to capture their attention through my music."[7] She was influenced by other musical acts such as Joni Mitchell, Bob Dylan, Tracy Chapman, and U2, although she felt their music appealed primarily to adults who were already invested in social change.[12] She also stated, "I'm not naive—I know an album or a song can't change the world. I just want my music and my dance to catch the audience's attention" hoping it would motivate people to "make some sort of difference".
Rhythm Nation 1814 was recorded over a period of seven months.[13] Its production took place at Flyte Tyme studios in Minneapolis, Minnesota, with majority of the album being recorded in the winter of 1988. According to Jam, he, Lewis and Jackson chose to isolate themselves to compose the record. No one from A&M Records was invited to the studio to observe and label executives complied with their request.[14] The trio co-authored six of the album's songs: "Rhythm Nation", "State of the World", "Alright", "Escapade", "Come Back to Me" and "Someday Is Tonight". Five of the six remaining songs for the record, "The Knowledge", "Miss You Much", "Love Will Never Do (Without You)", "Livin' in a World (They Didn't Make)" and "Lonely" were penned by Jam and Lewis, while "Black Cat" was written solely by Jackson. She co-produced the album with Jam and Lewis, while John McClain served as executive producer; the song "Black Cat" was produced by Jellybean Johnson.
The LP was produced primarily through use of synthesizers and drum machines.[15] Prior its recording, Jam and Lewis had begun to update their equipment for Flyte Tyme studios, experimenting with different types of drum machines and keyboards. While Control had been recorded primarily using the LinnDrum machine, songs for Rhythm Nation 1814 were mostly recorded using the E-mu SP-1200, which was more commonplace for hip hop music at the time. The Oberheim OB-8 analog synthesizer, as well as those made by Sequential Circuits, were also used for mixing and recording. The only equipment utilized for the recording of Control that was also used for producing Rhythm Nation 1814 was the Ensoniq Mirage keyboard.[14] The instrumental tracks for "Miss You Much", "Love Will Never Do (Without You)" and "Escapade" were among the first to be recorded, considered to be follow-ups to the "beat-heavy, catchy songs" that Jackson, Jam and Lewis crafted on Control which "defined the punch and power of 1980s dance and pop music."
Jam noted it was commonplace for Jackson to sing her vocals with the base track first and then have the rest of the song built around it in order to make her voice the center of the piece.[17] "Janet did all of her background vocals and not just the lead vocals. The idea with her has always been that she does all of her own vocals, so that it's totally a Janet record."[14] On the title track "Rhythm Nation", her vocals range from B♭3 to A5, climaxing within its middle eight.[18] Musicologist Richard J. Ripani observed the album and title track showcased the variety of contemporary R&B styles, making "use of elements across the R&B spectrum, including use of a sample loop ("Rhythm Nation" samples "Thank You (Falettinme Be Mice Elf Agin)" by Sly and the Family Stone), triplet swing, rapped vocal parts and blues notes (D naturals and G naturals)."[19] This style of music, known as new jack swing, was immensely popular in the late 1980s and early 1990s. Though officially credited to the production techniques of Teddy Riley, Ripani theorized Riley was influenced by Jackson's 1986 single "Nasty", which also features a distinctive triplet swing. Jon Pareles observed the album's diversity catered to a wide variety of radio formats, including pop, quiet storm, Adult contemporary and mainstream rock.[20] "Black Cat" was a stand-out for the record, not only for being composed exclusively by Jackson, but for its stark departure from her general style of music, delving into hard rock. While Jellybean Johnson was elected to produce it, Dave Berry was recruited to play guitar for the song. It was recorded using a mixture of Rockman and Marshall amplifier to give the song a heavy metal sound.[17]
The sequencing of the record's track list was done strategically, starting with songs that lyrically depict societal injustices and ending with those that explore love, relationships and sexuality. This decision also factored into the album's artwork and marketing, giving it an overt black and white militant imagery.[14] Jam explained that "[t]he idea of putting 'Rhythm Nation', 'State of the World' and 'The Knowledge' as the first three songs on the record really set the tone as to what the record was. Then to have the segue after that where she says, 'Get the point? Good. Let's dance ...' and then go into 'Miss You Much', that was purposely done."[21] He also stated that the safer marketing strategy for the project would have been "a beautiful colored picture of Janet on the cover" with Escapade as its title, starting the track listing with "Miss You Much", "Love Will Never Do (Without You)" and "Escapade", and ending it with "Livin' in a World (They Didn't Make)", "The Knowledge" and "Rhythm Nation" but noted that despite being the same collection of songs, the alternate sequencing and imagery would not have had the same impact.[14] Of its lyrical themes, Kate Kelly stated the album "reveals a social conscience speaking of getting an education, avoiding drugs, and feeding the homeless. All this might seem a little heavy for dance music or pop radio, but Jackson fuses her concepts with driving dance energy that hits the hearts of those hitting the dance-floor."[22] Andrew Barker of Variety described it as "a quasi-concept album whose opening three songs directly addressed crime, the crack epidemic, racism, homelessness and youth illiteracy — not exactly a recipe for a party. And yet the record was somehow even more successful than Control, generating a then-record seven top-five singles."
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