By then Knight & the Pips seemed to be locked in a "cutting contest" with several other Motown acts (Marvin Gaye, the Temptations, Edwin Starr, even Jimmy Ruffin) as they were covering differing versions of songs producer/writer Norman Whitfield has in his catalogue. The best track here is a stunning rendition of Kim Weston's "It Should Have Been Me," given a glossy pop veneer that effectively contrasted Knight's grittiness. It was said that the group cut a series of tracks in a much rawer R&B idiom with writer/producer Ivy Joe Hunter early on their tenure, but save for a few album cuts, many of them were shelved and are still in Motown's vaults to this day.
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