Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, Computer Games restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid-1980s.
According to Glenn Kenny of Trouser Press, after the end of his Parliament-Funkadelic collective, Clinton's album was titled as a "nod to the burgeoning wave of techno-funk that was beginning to overtake almost every other form of dance music; rather than reject the new technology, he adapted it here in his own unique way".[6]
The single "Loopzilla" hit the top 20 of the R&B charts, followed by "Atomic Dog" which reached No. 1 R&B but peaked at No. 101 on the pop chart.
The album was listed by Slant Magazine at #97 on its list of the "Best Albums of the 1980s".
Some of My Best Jokes Are Friends is the third studio album by George Clinton. It was released in 1985 by Capitol Records. Though it wasn't as successful as Computer Games, Clinton's first solo album, Some of My Best Jokes Are Friends received favorable reviews among critics. While many former P-Funk musicians are featured on the album, it also features collaborations with more contemporary performers such as Doug Wimbish, Steve Washington, and keyboardist Thomas Dolby.
Some of My Best Jokes Are Friends employs various producers from the P-Funk musical collective, including Clinton, Garry Shider, Washington, Bootsy Collins, Junie Morrison, Clinton's son Tracy Lewis, Wimbish, and Dolby.
R&B Skeletons in the Closet is the fourth solo album by Parliament-Funkadelic leader George Clinton. It was released in April 1986 by Capitol Records and was the last album that Clinton would record for the label. Recording sessions for the album utilized a small cadre of P-Funk musicians including Bootsy Collins, Garry Shider, and DeWayne "Blackbyrd" McKnight, as well as the debut recorded appearance of former Miss America Vanessa L. Williams on the opening track "Hey Good Lookin'". R&B Skeletons in the Closet was produced by Clinton, Steve Washington, Shider, and Andre Jackson.
The album's concept deals with black musical artists attempts to "cross over" to white audiences and losing their core black audience in the process. R&B Skeletons in the Closet expands on the dance-funk sound of Clinton's previous solo albums, and it also incorporates elements of electro and hip hop music.[8] The album was reissued on CD by Capitol Records in 1991, but went out of print shortly thereafter.
Hey, Man, Smell My Finger is the sixth studio album by American funk musician George Clinton, released October 12, 1993, on Paisley Park Records. It is Clinton's second and last release for the Paisley Park label, owned by Prince. The album features an array of musical guests including Prince, Dallas Austin, Humpty Hump (Shock G) from Digital Underground, Ice Cube, N'Dea Davenport, Dr. Dre, and Herbie Hancock, as well P-Funk alumni including Bootsy Collins, Bernie Worrell, Maceo Parker, and Fred Wesley. Hey, Man, Smell My Finger furthers Clinton's incorporation of hip hop elements such as electronically produced beats, rapping by Clinton, and sampling of older P-Funk material.[8][11]
The album was acclaimed by most music critics and was followed by a supporting tour.[12] The New Yorker called it "a funny, psychedelic, intricate collection of grooves and insights."[13] It went out of print soon after Paisley Park Records folded in late 1993.
T.A.P.O.A.F.O.M. is a 1996 album by funk musician George Clinton. The title, which is an abbreviation for The Awesome Power of a Fully Operational Mothership, refers to the P-Funk Mothership that was first introduced in 1975 on Parliament's Mothership Connection album. The album was presented as a reunion album because it featured collaborations with former Parliament-Funkadelic members including Bernie Worrell, Bootsy Collins, Junie Morrison, Maceo Parker, and Fred Wesley — some of whom hadn't worked with Clinton in many years. The album also included contributions by current members of the P-Funk All-Stars.
Following the release of T.A.P.O.A.F.O.M., Clinton launched the "Mothership Reconnection Tour" with Bootsy Collins, Bernie Worrell, and the P-Funk All-Stars. The Mothership Reconnection Tour, which began in New York's Central Park, included the landing of a full-scale Mothership on stage, from which Clinton emerged. The artwork for T.A.P.O.A.F.O.M. was unique among P-Funk albums in that it included contributions by all three artists associated with the band: Pedro Bell, Ronald "Stozo the Clown" Edwards, Overton Loyd, and George Clinton. The Japanese version of "T.A.P.O.A.F.O.M." contains an extra track entitled "Secret Love", co-written by Clinton's son Tracey Lewis a.k.a. Trey Lewd. That track was later released in U.S. on the CD How Late Do U Have 2BB4UR Absent?.
How Late Do U Have 2BB4UR Absent? (How Late Do You Have To Be Before You Are Absent?) is a double album by George Clinton & the P-Funk All-Stars, released September 6, 2005 on Clinton's label The C Kunspyruhzy. The album also featured release in France on Nocturne Records. It is their first album of new studio material since 1996's T.A.P.O.A.F.O.M. (The Awesome Power Of A Fully Operational Mothership), which was primarily due to a lengthy court battle over ownership of Clinton's recordings.[11]
How Late Do U Have 2BB4UR Absent? features appearances by Prince and Jazze Pha, alongside members of Parliament-Funkadelic. The album is compiled from different sessions over the last decade and is presented as a taste of more new Parliament and Funkadelic material to come. Clinton cited it as "one of the best records we've ever done".[12] Despite mixed criticism towards its indulgent style, How Late Do U Have 2BB4UR Absent? received generally positive reviews from music critics.
George Clinton and His Gangsters of Love is a cover album by funk music pioneer George Clinton. The album includes guest appearances from the Red Hot Chili Peppers, Sly Stone, El DeBarge, System of a Down bassist Shavo Odadjian, Carlos Santana, RZA, Kim Manning and gospel singer Kim Burrell. The disc was released on September 16, 2008.[7]
Some suggest the title of the album may actually be Radio Friendly, and that "George Clinton and Some Gangsters of Love" may be credited as the artist for the album.[8] The album has also been referred to as Any Percentage of You Is As Good as the Whole Pie, although that may refer to another P-Funk album to be released later.[9]
It features the last song recorded by the Red Hot Chili Peppers with guitarist John Frusciante prior to his second departure of the band in 2009.
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