lundi 8 décembre 2025
Creme D'Cocoa (1978) Funked Up (Unidisc Expanded Edition 2009)
The ensemble was founded in 1978 by three members of the Ambassadors and one of The Ebonys after both groups disbanded about the same time early that year.[1] The group's debut single was "Do What You Feel", followed by a full-length entitled "Funked Up". The band's biggest hit was 1979's "Doin' the Dog", which reached #30 on the Billboard R&B charts.[2] A sophomore full-length, Nasty Street, was issued in 1980 but did not spawn any hits; a final single was issued in 1982 before the group dissolved. Appeared on Soul Train the dance show on October 27, 1979 co-starring with the great Billy Preston.Songs rendered were "Doin The Dog & Baby Don't You Know That I Love Ya!"
MEMBERSHIP BENTLEYFUNK 2026
The blog will remain open to everyone for a few more days this month, exclusively for the holiday season.
This gives those who are interested time to sign up for a permanent membership! Enjoy the albums and access to the second private blog with all the latest news and compilations.
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dimanche 7 décembre 2025
samedi 6 décembre 2025
MEMBERSHIP BENTLEYFUNK 2026
The blog will remain open to everyone for a few more days this month, exclusively for the holiday season.
This gives those who are interested time to sign up for a permanent membership! Enjoy the albums and access to the second private blog with all the latest news and compilations.
Next year it will be too late!
Registration is only possible by email and requires a one-time contribution.
bentleyfunk@hotmail.com
Miami (1974) The Party Freaks (Ultra-Vybe ソウル名盤スーパーセール、ザ・マイアミ・サウンド：オリジナル・ソウルファンクディスコ・コレクション 2023)
Soul/funk/disco band from Miami, Florida. Formed by producer/songwriter Willie Clarke in 1974, the original line-up comprised of Andrew Curran (guitar), Willie Jackson (bass), Robert Moore (3) (vocals), George Perry (bass), Freddie Scott (drums), Warren Thompson (guitar), Robert Douglas Williams "Bobby" (organ) and Clarke himself on percussion.
The band released a few albums but mainly served as the in-house band for T.K. Records. With the demise of that record label in the early 1980's, Miami was disbanded.
MEMBERSHIP BENTLEYFUNK 2026
The blog will remain open to everyone for a few more days this month, exclusively for the holiday season.
This gives those who are interested time to sign up for a permanent membership! Enjoy the albums and access to the second private blog with all the latest news and compilations.
Next year it will be too late!
Registration is only possible by email and requires a one-time contribution.
bentleyfunk@hotmail.com
Stax soul music legend Steve Cropper dies at 84
It is with profound sadness that we share the news of the passing of Stephen Lee Cropper, who died peacefully in Nashville today at the age of 84. Steve was a beloved musician, songwriter, and producer whose extraordinary talent touched millions of lives around the world. As the legendary guitarist for Booker T. & the M.G.‘s and the architect of the Stax Records sound, he helped create some of the most enduring songs in music history, including “(Sittin’ On) The Dock of the Bay,” “Soul Man,” “Knock on Wood,” and “In the Midnight Hour.” A Rock & Roll Hall of Fame Inductee, Grammy Award winner, and Songwriters Hall of Fame honoree, Steve’s influence on American music is immeasurable.
While we mourn the loss of a husband, father, and friend, we find comfort knowing that Steve will live forever through his music. Every note he played, every song he wrote, and every artist he inspired ensures that his spirit and artistry will continue to move people for generations. Steve is survived by his loving wife, Angel Cropper; his children Andrea and Cameron Cropper, Stevie, and Ashley, along with countless musicians and fans whose lives he transformed through his extraordinary gift.
The family thanks everyone for their love, support, and respect for their privacy during this difficult time.
Though never standing in the major spotlight, Steve Cropper stands as one of the most influential figures in American soul and rhythm & blues. His guitar work and songwriting helped define the Memphis sound of the 1960s and beyond. Born on October 21, 1941 in Willow Springs, Missouri and raised on a farm in the region, he moved with his family to Memphis, Tennessee at the age of nine, where the city’s gospel, R&B and burgeoning rock-and-roll scenes would shape his musical identity.
In Memphis, Cropper acquired his first guitar at age 14 and, inspired by players like Lowman Pauling of the “5” Royales, Tal Farlow and Chuck Berry, began honing his distinctive, tight and soulful rhythm style. His early career grew out of local bands including the Royal Spades, which evolved into The Mar‑Keys, whose 1961 instrumental hit “Last Night” gave both the band and the young label Stax Records a major lift.
Cropper became a founding member of the house band Booker T. & the MG’s, along with Booker T. Jones (organ), Donald “Duck” Dunn (bass) and Al Jackson Jr. (drums). In that role he not only contributed his guitar to countless Stax sessions backing artists like Otis Redding, Wilson Pickett, Sam & Dave and the Staple Singers — but also served as songwriter and producer.
Along the way, Cropper co-wrote such enduring classics as “Knock on Wood” (with Eddie Floyd), “In the Midnight Hour” (with Wilson Pickett) and “(Sittin’ On) The Dock of the Bay” (with Otis Redding).
Cropper’s guitar style — crisp, understated yet deeply expressive — helped define what came to be known as the Memphis sound: rhythmically tight, groove-centred, and emotionally direct. That style has earned him widespread recognition, including ranking among the top guitarists of all time.
In the 1970s and beyond Cropper expanded his reach, leaving the Stax house band role and taking on production work, solo recordings and collaborations with major figures including John Lennon, Ringo Starr, and the ensemble of The Blues Brothers (via Dan Aykroyd and John Belushi).
Throughout a career spanning six decades, Cropper’s impact has been felt not only through his own recordings but via the countless artists he supported and the songs he helped craft. His legacy remains foundational to soul, R&B and the guitar lexicon — a link to a golden era of American music whose echoes will continue to resonate for years to come.
vendredi 5 décembre 2025
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